Showing posts with label X-Legged Sally. Show all posts
Showing posts with label X-Legged Sally. Show all posts

February 20, 2022

X-Legged Sally – Eggs And Ashes (1994, CD, Belgium)


The third of three records released on Sub Rosa, published in 1994.

Songs
1. Lulu (2:40)
2. Laut und leise (3:39)
3. Midwave (9:47)
4. Hae Song (4:27)
5. Turkish Bath (7:06)
6. Immer Carlo (1:46)
7. Sparadrap (7:15)
8. Two Volcanoes (4:37)
9. Mask (17:24)

All tracks written by Peter Vermeersch

Performed by
Peter Vermeersch - Clarinet, Saxophones, Vocals
Pierre Vervloesem - Guitar, Vocals
Peter Vandenberghe - Keyboards
Michel Mast - Saxophone
Bart Maris - Trumpet
Paul Belgrado - Bass
Danny Van Hoeck - Drums
+
Carlo Calvano - Vocals
Mauro Pawlowski - Vocals

Music from the Wim Vandekeybus Ultima Vez performances:
"Immer das selbe gelogen" (91) 2, 5, 6, 8
"Her body doesn't fit her soul" (93) 3, 7
"Moutains made of barking" (94) 1, 4, 9.

December 11, 2021

X-Legged Sally – Killed By Charity (1993, CD, Belgium)


Tracklist:
1. Eddies (1:26)
2. Dum Dum (3:34)
3. Still Life With Ray (3:38)
4. Spix and Chaco (4:19)
5. The Shah of Blah (2:51)
6. Bleedproof (5:54)
7. Break Too (3:59)
8. Did You Get Your Milk, Stewart? (2:31)
9. Mysterious Angelic Voices (2:56)
10. Am Tisch! (2:16)
11. The Look of Love (3:28)
12. Killed by Charity (4:22)
13. It's a Baby (4:43)
14. Shredded (1:21)

Musicians:
Bass – Paul Belgrado
Clarinet, Vocals – Peter Vermeersch
Drums – Danny Van Hoeck
Guitar, Vocals – Pierre Vervloesem
Keyboards – Jean-Luc Plouvier
Saxophone – Michel Mast
Trumpet – Bart Maris

January 24, 2021

X-Legged Sally ‎– The Land Of The Giant Dwarfs (1995, CD, Belgium)


Tracklist:
1- Anthem - In the land of the giant dwarfs (1:05)
2- Feb II (4:53)
3- R.I.P. (3:36)
4- Yesbody 2 - Yesbody goes for the swallow juice (2:42)
5- Skip XXI (6:27)
6- Yesbody 4 - Yesbody enjoys the envious eyes at his moontan (2:10)
7- Charge (2:08)
8- Yesbody 3 - Yesbody is in love and looks for a girl (1:49)
9- Lie to me (1:32)
10- Glad you're dead (1:27)
11- Home (3:04)
12- Hair (5:06)
13- Poor man's rain (4:49)
14- Starfinger (7:26)
15- Mono Dolby (1:00)
16- Owl Harry (3:10)
17- Quorns (3:22)
18- Yesbody 1 - Yesbody swallowed the key (2:43)

Musicians:
Pierre Vervloesem - guitars
Peter Vandenberghe - keyboards
Paul Belgrado - bass
Danny Van Hoeck - drums
Peter Vermeersch - winds
Bart Maris - winds
Thierry Mondelaers - vocals
Michel Mast - Saxes

This group is yet another typically Belgian chamber prog - a term I created, but by listening closely to all of those groups I encompass under this name, it will be so clear to see where I am getting at - although it is up in the higher energy level. Sometimes referred as Cross-Legged Sally (I never got confirmation that it was a wink to Tull's Cross-Eyed Mary, even if I encountered sarcastic smiles)

The leader is guitarist Pierre Vervloesem (who has lead a solo career also) and Peter Vermeersh (winds) and Vandenberghe (keyboards) etc. Somehow, these guys have an indescribable sound (Zappa is obviously their inspiration) that I can only define by naming some similar groups such as Miriodor, Alamailman Vasarat, Present, Hoyry Koyne, and the like, but also (albeit more subtly) King Crimson and Magma. Their debut Slow Up was produced by Bill Laswell and is a superb start (there was an earlier record that was a collaboration with Brazilian Charo Calvo) and was released on the NY's Knitting Factory label. The two leaders also produced Belgium's best export act dEUS (see their entry in out beloved Archives)

In their relatively long discography, their best albums are Killed By Charity and the Land Of The Giant Dwarves, but almost all of their albums are a fitting intro to this bunch of musical loonies. Their last album (they seem to have broken up by 97) was a collaboration with a string quartet, but it was only partly convincing and a fair departure of their usual style. "Style" is a big word as these guys broad-brushed through every single style of music and still managed to sound like themselves, but this was ranging from funk to ballet music to choreographed dance music. So the least we can say is that X-L S's discography is confusing, but never boring or dull.

In 98, the group broke up out of exhaustion (they released as a testament the live Fired album), and half the members went on to form A Group (poppier but similar-sounding) and later The Flat Earth Society (an energetic big band of 16). All of these groups shared that typical Belgian specialty (although Zappa and Beefheart were their godfathers): humour in music. (progarchives)



October 01, 2017

Peter Vermeersch ‎– De Oplosbare Vis (1995, CD, Belgium)

De Oplosbare Vis (The Soluble Fish) is an opera with a text by Josse De Pauw, based on text fragments of Witold Gombrowicz. The music was written and performed by Peter Vermeersch. It was played in 1994 by theatre company Walpurgis, who also released the cd.

Peter Vermeersch - De oplosbare vis
A music/theatre production Recorded at studio Caraibes, Brussels, april 1995

Performed by the Ensemble Walpurgis with:
Judith Vindevogel: Soprano
Charles Van Tassel: Barytone
Dirk Descheemaeker: Clarinet, Bassclarinet & Mouth-harp
Jan Kuijken: Cello
Yutake Oya: Piano & Organ
Georges van Dam: Violin
Peter Vermeersch: Clarinet & Percussion
Pierre Vervloesem: Guitar & Percussion
Ryszard Turbiasz: Spoken voice

Produced by Peter Vermeersch and Pierre Vervloesem
Risultati immagini per peter vermeersch de oplosbare
Peter Vermeersch (born 1959 in Waregem) is a Belgian composer, clarinet player and producer.
He is a main character in several Belgian bands such as X-Legged Sally, A Group and the Flat Earth Society. His compositions, balancing between classical, jazz and pop music, are often commissioned for or used by modern dance companies.
As a producer he helped to form the first album of Belgium's most prominent indie band dEUS. As such, he is one of the godfathers of the Belgian music scene.

Early career
Vermeersch' formal training include architecture and urbanization, and a modern art course. He soon got involved with music and started composing. In the eighties and early nineties, Vermeersch was part of the post-modern classical ensembles Union and Maximalist!and composed and performed music for dance productions by Rosas and Ultima Vez. He was also a member of the Simpletones and Kamagurka en the Vlaamse Primitieven. Among his first official compositions is part of the music for the dance production Rosas danst Rosas (1983).

Bands
Because Vermeersch soon grew tired of the constraints imposed by sheet music, he started his own ensemble X-Legged Sally. In a way, XLS was the last Belgian prog-rock band. In another way, it was the first band of the new Belgian scene. Many X-Legged Sally compositions were originally soundtracks to dance performances. X-Legged Sally split up in 1997.
Out of the ashes of X-Legged Sally sprung A Group, who have released two CDs and are currently inactive. A Group mixes the creativity of X-Legged Sally with pure and simple pop tunes.
Currently Peter Vermeersch' main project is the Flat Earth Society, a big band that mixes the rich Belgian brass band (HaFaBra) tradition with characteristic topsy-turvy creativity.

Compositions
As a composer, Peter Vermeersch has his own place among the long list of contemporary Belgian composers, although, due to his lack of formal training and his involvement with pop music, he doesn't necessarily fit in with the likes of Wim Henderickx, Luc Brewaeys or Boudewijn Buckinx.
From his early career, Peter Vermeersch has composed music for modern dance productions of renowned Belgian companies such as Rosas and Ultima Vez. Other pieces were composed to accompany theatre plays, such as Josse De Pauw's Weg.
Some of the songs of X-Legged Sally have been published as sheet music and performed by contemporary classical ensembles. Apart from these, various ensembles have commissioned compositions, such as a string quartet for Walpurgis and the tone poem 's Nachts brede opklaringen for the Spiegel Strijkkwartet.
Major compositions include the oratoria or mini-operas Music Hall on poems by Paul van Ostaijen for Prima la Musica, The Soluble Fish and Charms on poems by Daniil Kharms, both for Walpurgis. The grand big-band opera Heliogabal was written for the Ruhr Triennale and performed by the Flat Earth Society.
In 2004 he was appointed 'town composer' of Ghent, a position he used to compose a song for the carillon and for the Gentse Feesten (performed by Kamagurka).