Showing posts with label Scott Brazieal. Show all posts
Showing posts with label Scott Brazieal. Show all posts

March 25, 2024

Cartoon – Cartoon (1982, LP, Usa)



Tracklist:
A1 Shark 8:03
A2 Anemic Bolero 7:44
A3 Ptomaine Poisoning 3:27
B1 Flotsam 3:57
B2 Apathy In America 5:25
B3 I Have No Teeth 1:01
B4 Shredded Wheat 11:15

Musicians:
Guitar, Bass – Mark Innocenti
Keyboards, Marimbas – Scott Brazieal
Percussion – Gary Parra

Cartoon – Music From Left Field (1983, LP, Usa)


Tracklist:
A1 Quotes 15:32
A2 Trio 3:11
B1 Bedlam 4:36
B2 Light In August 5:44
B3 Scherzo 3:41
B4 Bottom Of The Ninth 4:05

Musicians:
Bassoon, Flute, Piccolo Flute, Soprano Saxophone, Tenor Saxophone, Clarinet – Herb Diamant
Guitar – Mark Innocenti
Harmony Vocals – Susan Lowell
Percussion – Gary Parra
Piano, Synthesizer, Electric Piano – Scott Brazieal
Violin, French Horn – Craig Fry

Cartoon – Boot-Legged (1983, Cassette, Usa)


Tracklist:
A1 Flotsam 8:00
A2 Rocky And Bullwinkle 0:32
A3 Sax Jam 4:49
A4 3rd Movement From Five Movements For String Quartet 1:09
A5 Light In August 5:45
A6 Apathy In America 5:41
A7 Anemic Bolero 3:35
B1 Rumanian Folk Dances 1:46
B2 Ptomanine Poisoning 7:09
B3 Shark 9:18
B4 Shredded Wheat 12:28

Musicians:
Guitar – Mark Innocenti
Keyboards – Scott Brazieal
Percussion – Garry Parra
Violin, French Horn – Craig Fry
Winds – Herb Diamont

Recorded Live: KPFA Radio Berkley CA 3/24/83; CHUYS,PHX,AZ. 11/28/82; Keystone, Berkeley, CA. 5/28/82

February 24, 2018

Trap ‎– Beyond The Status Quo (1997, CD, Usa)

"Trap, the brainchild of Gary A. Parra, might be deemed progressive rock if forced into a genre, but it is a very unusual sort. While some harmonic and structural gestures invoke prog rock, Parra includes in his ensemble a classically-trained violinist and a bassoonist. Beyond The Status Quo recalls the complexity and sophistication of Zappa,the weirdness of King Crimson, neo-romanticism a la Joseph Schwantner, and the jagged and particular texture and idiosynchratic flavor of the Rock In Opposition movement. Trap's eclectic music is quirky, bizarre, even quixotic, yet always fascinating." -- Dean Suzuki, Wired, December 1997

"Coming straight out of the spirit of Zappa and RIO . . . Trap is an American group which doesn't recreate its influences, but which, far from copying its masters or idols, seeks to assimilate and render in its own way the glorious past of a musical genre that is always contemporary. . . . above all there is an undeniable spirit to create a music that surpasses predefinined labels. Avid listeners of Absolute Zero, 5UU, U Totem and other bizarreries that are typically American, "Trap" is for you!" -- Jérôme Schmidt, Art Zero #5

"If you like the idea of a less hectic Cartoon, with a touch more 70's Soft Machine & Mahavishnu Orchestra...phenomenal." -- Audion, 1997

"What we have . . . is a strange and shimmering gem that defies easy description and categorization. A fun release that all should check out . . . playful avant strangeness. " -- Peter Thelan, Exposé #13, Summer, 1997