Tracklist:
A1 Gin 2:02
A2 Chartreuse 2:20
A3 Kirsch 2:36
A4 Vodka 2:31
A5 Rum 2:16
A6 Curaçao 3:35
A7 Maraschino 2:36
B1 Whisky 2:18
B2 Pernod 2:33
B3 Kümmel 1:48
B4 Strega 2:37
B5 Bitter 2:41
B6 Genepy 2:55
B7 Vov 2:12
Musicians:
Drums – Andrea Surdi
Electric Bass – Luigi Cappellotto
Electric Guitar – Ernesto Verardi
Keyboards – Oscar Rocchi
June 15, 2024
Modern Sound Quartet – Cocktail-Bar (1976, LP, Italy)
July 17, 2021
Oscar Rocchi E Il Suo Modern Sound – Erbe Selvatiche (1977, LP, Italy)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3901143-1553983638-1585.jpeg.jpg)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3901143-1553983635-4092.jpeg.jpg)
August 03, 2020
July 12, 2020
New Sound Quartet – Crazy Colours (1979, LP, Italy)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-2105101-1370883383-2556.jpeg.jpg)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-2105101-1370715984-6938.jpeg.jpg)
A1. Babe – 4:37
A2. Confession – 4:41
A3. Good Times – 4:25
A4. Bass Construction – 4:30
B1. Colours To My Life – 5:26
B2. Dreams – 4:28
B3. Tender Melody – 3:58
B4. Like You Do – 4:48
Musicians:
Bass – Gigi Cappellotto
Drums – Andy Surdi
Guitars – Ernesto Verardi
Keyboards – Oscar Rocchi
Saxophone, Flute – Hugo Heredia
Sweet electric grooves from this obscure Italian combo – one who's actually a quintet, not a quartet – and play in all these wonderful funky jazz styles! The approach is a bit CTI/Kudu Records at times – or more instrumental club music in other moments – and the lineup includes the great Oscar Rocchi on keyboards, as well as Hugo Heredia on both saxes and flute! Most numbers seem to let the keyboards and riffing guitars take the lead – and there's also some light strings in the background, which enforces the clubbier elements of the music – warming things up nicely, but never in a too-commercial way. There's a depth to the music that goes far beyond the kind of cheesier disco tracks on Italian soundtracks of the time – and titles include "Colours To My Life", "Bass Construction", "Babe", "Confession", "Good Times", and "Like You Do". (dusty groove)
June 20, 2020
Giancarlo Barigozzi, Fabio Fabor & Oscar Rocchi – Stressorama N° 2 (1974, LP, Italy)

Tracklist:
A1. Traslucido 2:16 (Barigozzi - Fabor) spinet, 5 flutes, clarinet
A2. Super Session 2:08 (Rocchi) 5 saxes, drums, electric piano
A3. Orient Market 2:48 (Barigozzi) 3 clarinets, flute, piccolo, electric piano, alto sax
A4. Fotocellula 2:21 (Rocchi - Fabor) 3 flutes, 2 clarinets, electric piano, bongos
A5. Voli Di Sax 2:36 (Barigozzi) 2 alto saxes, 4 trombones, electric piano
A6. Assenteismo 2:04 (Rocchi - Fabor) 4 clarinets, clarone, drums, electric piano
A7. Surriscaldato 2:18 (Barigozzi - Fabor) 6 saxes, electric piano, drums
B1. Irrazionale 2:34 (Rocchi - Fabor) 4 flutes, clarinet, spinet
B2. Training 2:25 (Barigozzi) 5 clarinets, clarone, electric piano
B3. Memorizzato 2:30 (Rocchi) 2 clarinets, alto sax, tenor sax, barytone sax
B4. Nickel-Cadmio 2:21 (Barigozzi - Fabor) 2 clarinets, 2 flutes, tenor sax, drums
B5. Timer Plus 1:55 (Rocchi) 5 saxes, electric piano, bass
B6. Reflex Up 2:37 (Barigozzi - Fabor) 4 flutes, 2 clarinets, electric piano, bass
B7. Zona Alogena 2:20 (Rocchi - Fabor) 2 flutes, 3 clarinets, spinet, small cymbals (or crotales)
An excellent music library concerning the stressful sides of modern
life. 14 tunes characterized by coincided and syncopated sonorities
which give prominence to the dramatic power of the themes.
September 13, 2017
Rocchi - De Piscopo – Metamorphosis (1981, LP, Italy)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3448345-1330787617.jpeg.jpg)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3448345-1330787625.jpeg.jpg)
Metamorphosis is not the typical fragmented collection – something pretty common in the world of library music; this is a body of heterogeneous songs with a common ground, a solid body of work (which would surely fit in De Piscopo’s and Rocchi’s personal discographies). The genre is fusion, still positively influenced by jazz-funk (no muzak effect here!) but also following the impulse to experiment typical of the most progressive jazz-rock. De Piscopo is in top shape (it’s not a coincidence that, in 1981, Vai Mo by Pino Daniele was also released), sporting a bit less exuberant style of playing compared to his jazz albums of the same period – so he sounds really effective and sharp. With Farmer (who was playing with Dr. John and Professor Longhair before moving to Italy) he makes one of the best rhythm sections of Italian music of the Seventies and Eighties (if you’re not convinced, just listen to Carta Straccia and America Good-Bye, two amazing pop albums with a funk soul).

:format(jpeg):mode_rgb():quality(90)/discogs-images/R-4563238-1370693390-3789.jpeg.jpg)