Tracklist:
A1 The Dreamer (Instrumental) 2:41
A2 The Runner (Instrumental) 3:26
A3 Wha'dya Mean (Instrumental) 5:05
A4 Straight Between The Eyes 2:39
B1 Orchestral Suite To Best Revenge (Instrumental) 15:29
B2 Playing For Keeps 4:22
Musicians:
Accordion – Garth Hudson (A4)
Drums – Aynsley Dunbar
Keyboards – Keith Emerson
Orchestrated By – John Coleman (B1)
Vocals – Brad Delp (B2), Levon Helm (A4)
Showing posts with label Keith Emerson. Show all posts
Showing posts with label Keith Emerson. Show all posts
May 13, 2024
Keith Emerson – Best Revenge (1985, LP, England)
May 04, 2021
Keith Emerson – Nighthawks (Original Soundtrack) (1981, LP, England)



A1 Nighthawks (Main Title Theme) - 2:25
A2 Mean Stalkin' - 2:22
A3 The Bust - 2:07
A4 Nighthawking - 6:18
A5 The Chase - 6:04
B1 I'm A Man - 4:19
B2 The Chopper 3:03
B3 Tramway 3:24
B4 I'm Comin' In - 3:04
B5 Face To Face - 2:51
B6 The Flight Of A Hawk - 3:09
Musicians:
A2 Mean Stalkin' - 2:22
A3 The Bust - 2:07
A4 Nighthawking - 6:18
A5 The Chase - 6:04
B1 I'm A Man - 4:19
B2 The Chopper 3:03
B3 Tramway 3:24
B4 I'm Comin' In - 3:04
B5 Face To Face - 2:51
B6 The Flight Of A Hawk - 3:09
Musicians:
Bass – Kendall Stubbs
Drums – Neil Symonette
Keyboards, Performer, Producer, Music By – Keith Emerson
Percussion – Frank Scully
Percussion [Orchestral] – Tristen Fry
Saxophone – Jerome Richardson
Trumpet – Greg Bowen
Drums – Neil Symonette
Keyboards, Performer, Producer, Music By – Keith Emerson
Percussion – Frank Scully
Percussion [Orchestral] – Tristen Fry
Saxophone – Jerome Richardson
Trumpet – Greg Bowen
Vocals – Paulette McWilliams (A4), Keith Emerson (B1)
July 23, 2017
Keith Emerson & Goblin – La Chiesa (1989, LP, Italy)
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“La Chiesa” (The Church) is a 1989 film, directed by Michele Soavi and produced by the master of Italian horror Dario Argento; the tracks here selected for its soundtrack have been composed and performed by Keith Emerson and Goblin, which is, in this case, the pseudonym for the sole Fabio Pignatelli.
The result is stylistically homogeneous: classical, rock and electronic sounds are skillfully blended. Emerson, in particular, makes extensive use of a church organ, mindful of his work for Dario Argento’s film “Inferno” of a few years earlier (1980), while Pignatelli clearly shows his ‘goblinian’ soul, just updated by about a decade.
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