Brégent ‎– Poussière Des Regrets (1973, LP, Canada)

SIDE A
1. Mon Frère
2. Epitaphe Villon
3. Dans Ma Maison
4. Je T'aime
5. Le Chien
SIDE B
1. La Mélancolie
2. Metamorphoses Du Vampire
3. Dieu Est Nègre

Musicians

Alto Saxophone – Charles Berman

Drums – Jacques Laurin

Effects – Georges Brégent

Electric Bass – Jacques Laurin

Electric Guitar – Robert Panetta

Keyboards – Georges Brégent

Percussion – Jacques Laurin

Tenor Saxophone – Stephen Hall

Vocals – Jacques Brégent

Montreal keyboardist Michel-Georges Bregent spent the latter part of the sixties at the prestigious Conservatoire de musique du Quebec a Montreal mastering a bevy of instruments from piano and organ to ondes Martenot, mellotron and synthesizer. By the early seventies, he had formed the experimental group Bregent along with his brother Jacques on vocals. Together they released two rare and highly coveted albums, the fine Partir Pour Ailleurs in 1979 and this phenomenally rare debut, considered one of the true collectable holy grails in the Quebec prog-psych canon.

The highly experimental Poussiere Des Regrets takes the poetry of various French and Quebecois writers and sets it to dark, avant-garde jazz-rock. Works by the likes of Verlaine, Baudelaire, Ferre and Leclerc are broken down into a sort of abstract expressionism that at times is more reminiscent of free jazz than prog-rock. Contrast is everything here. Freaky saxophone bursts might dissolve into soft sound effects which are then built up into frantic rants backed by more cacophonous noise. Vocals are delivered in equally dramatic fashion. On the twelve-plus minutes of 'Dieu est negre', a take on a poem by Leo Ferre and probably the closest the album gets to standard rock music, Jacques' voice flits from smoky singing to urgent whispering and then to outright screaming by the song's climax.