The Trip ‎– Prog Exhibition 2010 (Live In Rome) (2014, CD)

Tracklist:
1. Atlantide (5:31)
2. Evoluzione (3:24)
3. Caronte (6:12)
4. Two Brothers (5:30)
5. Ode A J. Hendrix (4:26)
6. Medley: Ora X / Analisi (7:27)
7. Medley: Distruzione / Il Vuoto (7:45)

Musicians:

Vocals, Bass – Wegg Andersen

Vocals, Drums, Percussion – Furio Chirico

Vocals, Keyboards – Jo Vescovi

Michel F. Côté, Tiari Kese ‎– Botul à la campagne (2014, CD, Canada)

Tracklist:
1. Anasthasia sur l’herbe (5:52)
2. Sexe sous un arbre (6:50)
3. Ampleur métaphysique du nous (5:05)
4. Bain de grâces (4:25)
5. Chant de chasse à l’ancienne (5:10)
6. Esthétique de l’indifférence (3:52)
7. L’inaction console de tout (5:28)
8. Bain de grâces (vues de loin) (0:55)

Musicians:
Bass Flute, Flute – Jean Derome (tracks: 2, 4, 6, 8)
Drums, Electronics, Percussion, Keyboards, Lap Steel Guitar, Composed By – Michel F. Côté
Piano, Organ, Strings, French Horn, Composed By – Tiari Kese
Sampler – Rick Temeh (tracks: 3, 5)
Trumpet – Ellwood Epps (tracks: 2, 4, 8)
Vocals – Alanna Kraaijeveld (tracks: 1)

Experimental artist Michel F. Côté teams up with Tiari Kese for the release of ‘Botul à La Campagne’, his first album released through Squint Fucker Press. The new album sees Côté and Kese teaming up to offer a highly experimental musical experience, combining different elements of varying genres to great effect. Much of the album indulges in experimental notions, though elements of ambient, classical and jazz seem to seamlessly work their way into the tracks, offering up a very enjoyable album experience. There’s arguably a more subtle element to ‘Botul à La Campagne’, which never seems to overstep its mark at any point.

‘Botul à La Campagne’ offers up an interesting album experience, and one that leans towards the more accessible side of experimental music. Elements of different genres all come into play across the various tracks, though the album itself as a whole presents itself as a musical experience not limited by its own genres. The whole album seems to defy conventional genre classification in favour of pure creative experimental compositions. There seems to be elements of improvisation on the album, as could be expected of Côté, though at the same time there also seems to be real direction, and vision.

This latest release from Côté and Kese offers up an incredible musical experience, and one that seems to be oddly accessible for an album released through Squint Fucker Press. The album’s experimental notions do make the album a little odd in places, and thus this is perhaps a release that’s not for everyone, but those who are familiar with Côté’s work, and are open to his many different ideas and visions, expressed through his musical techniques, will most likely find ‘Botul à La Campagne’ to be one of the best releases this artist has to offer.

There’s an incredible amount being offered up on ‘Botul à La Campagne’, which takes ideas and brings out so much that the average musician wouldn’t think to do. Côté and Kese both manage to brilliantly bring forth so many different ideas and techniques, and string them all together into one coherent album package that just works. ‘Botul à La Campagne’ sees jazz music turn into dark ambient music turn into classical music without any notion or indication whatsoever. There’s some wonderful ideas being presented on the album, most of which work incredibly well and result in one of Squint Fucker Press’ most interesting album releases thus far. (The CD Critic)

Heretic ‎– 1984-88 (1994, CD, Japan)

Excellent compilation of Heretic's first two LP's from the 80's, three exceprts from their rare first album, the whole 2nd album plus an unreleased track. First tracks (band operated as a trio, always led by composer/multi-instrumentalist Hirofumi Kawahara) are somewhere between melodic Space Rock with electric guitar/synth and Ambient Music with cosmic synthesizers/electronics. Second album (Heretic as a five-pice band now) is mostly EM with a cosmic edge plus guitar-oriented complex Prog and touches of Fusion in the shorter tracks, while the first-ever published piece is somewhat abstract, guitar-driven, jazzy instrumental Rock in the vein of KING CRIMSON. Unique album indeed with a unique atmosphere as well. (apps79)

Magma ‎– Theusz Hamtaahk Trilogie (2001, 3xCD Box Set, France) Re-Up!

Recorded live at Théâtre du Trianon in Paris (France) during the Magma 30th Anniversary celebration on 13th and 14th May 2000.
by request

5uu's - Live in Bologna, Italy 1995 Re-up!

5uu's (Dave Kerman, Bob Drake, Mike Johnson, & Scott Brazieal)

Live in Bologna, Italy, March 24 1995

Original Post

Piano Conclave ‎– Palais Anthology (1975, LP, Germany) Repost!

Tracklist:
A1. Rumba Orgiastica (6:05)
A2. English Moxplott (4:29)
A3. Hymny Shimmy (2:48)
A4. Hal-Lucy-'n-o'-One Step (4:37)
A5. Zookie Cookie (5:58)
B1. Lookie Pookie (5:17)
B2. Tango Teclado (4:32)
B3. Titty-Chickie-Fitterbug (4:54)
B4. Shoo-Fly-Shuffle (3:40)
B5. Charles' Stone And Quickflip (2:46)

Musicians:
Arranged By – George Gruntz (tracks: A1 to A5, B1, B4)
Bass – John Lee
Directed By – George Gruntz
Drums – Alphonse Mouzon
Electric Piano, Clavinet, Organ, Synthesizer, Grand Piano – Wolfgang Dauner
Electric Piano, Grand Piano, Voice – Gordon Beck
Grand Piano – Martial Solal
Piano, Grand Piano – Joachim Kühn
Piano, Grand Piano, Synthesizer – George Gruntz
Piano, Organ, Voice – Jasper van't Hof

Dubbed “the Keyboard Philharmonic”, and directed by the Swiss master pianist/composer George Gruntz, this 1975 album features six of the greatest European jazz keyboardists of the period. French master Martial Solal, Englishman Gordon Beck, Germans Wolfgang Dauner and Joachim Kuhn, and Netherlander Jasper van’t Hof join Gruntz in a pianistic extravaganza of a particular sort, accompanied by the crack American bass and drum team of John Lee and Alphonse Mouzon. British critic Mike Hennessey termed the album “an anthology, in highly contemporary musical dress, of all those celebrated nostalgic dances of the thirties.” With all of the pieces composed by the various pianists, the high-octane play has more to do with 70’s fusion and the avant-garde than the musical mores of the Jazz Age. Rumba Orgiastica solo order: Gruntz/Kühn/Mouzon. English Moxplott coda duo: Dauner/Solal. Hymny Shimmy solo: Beck. Hal-Lucy-‘n-o’-One Step collective: Dauner/van’t Hof/Gruntz. Zookie Cookie solos: Dauner/Kühn/van’t Hof. Lookie Pookiesolos: Gruntz/Kühn/Lee. Tango Teclado solos: Dauner/van’t Hof. Tittie-Chickie-FitterbugDauner/Solo/Beck. Shoo-fly-Shuffle solos: Kühn/Mouzon. Charles’ Stone and Quickflip intro solo: van’t Hof, bridge duo: Dauner/Gruntz. A unique chance to hear some of Europe’s greatest keyboard stylists in a pianistic meeting of the minds.

George Gruntz ‎– 2001 Keys - Piano Conclave (1974, LP, Switzerland)

Tracklist:
A1. Flight 6-2A-A5 (5:03)
A2. For Dennis (5:48)
A3. They're Coming, They're Coming (6:38)
B1. Suite For Harold (Dedicated To Harold Rhodes) (6:58)
B2. Intermission (10:53)

Musicians:
Arranged By – George Gruntz
Bass – Henri Texier
Drums, Percussion – Erich Bachträgel
Electric Piano – Fritz Pauer, George Gruntz, Gordon Beck, Jasper Van't Hof, Joachim Kühn, Joachim Kühn, Martial Solal
Harpsichord – Fritz Pauer, George Gruntz
Mellotron – Jasper Van't Hof
Organ – Gordon Beck
Piano – Fritz Pauer, George Gruntz, Gordon Beck, Joachim Kühn, Martial Solal
Synthesizer – Fritz Pauer, George Gruntz

A very cool album from keyboardist George Gruntz – and one that may well feature 2001 keys, given that the lineup is all keyboardists – with work from Gordon Beck, Jasper Van't Hof, Fritz Pauer, Martial Solal, and Joachim Kuhn! The set features a huge amount of Fender Rhodes – plus bass from Henri Texier and drums from Erich Bactragle – with a feel that's very much in the best MPS fusion moe of the time! (dustygroove)

Various ‎– Festival MIMI 86 (1987, LP, France)

MIMI 1986
1er édition
Arènes Coinon St Remy De Provence
Etron Fou Leloublan (F)
Remotobs (NL)
Guillaume de Machaux (Joseph Racaille) (F)
Les Batteries (F - USA - GB)
Bel Canto (Pascal Comelade) (F)
Skeleton Crew (USA)
Virgule 4 (F)
Regular Music (GB)

A1 – The Remotobs - Big Be Big (5:10)
Bass – Frank Van Berkel
Drums – Rutger Van Otterloo
Guitar – Robert Van Bolderen
Lyrics By – Han Buhrs
Music By – Han Buhrs, Raymund Van Santen, Robert Van Bolderen
Saxophone, Keyboards, Backing Vocals – Raymund Van Santen
Trombone, Backing Vocals – Gregg Moore
Voice – Han Buhrs
A2 – Etron Fou Leloublan - Blanc (4:56)
Bass, Vocals – Ferdinand Richard
Drums – Guigou Chenevier
Keyboards – Jo Thirion
Lyrics By – Ferdinand Richard
Music By – Jocelyne Thirion
A3 – Joseph Racaille Et L' Ensemble Guillaume De Rachaux - 31 (2:38)
Double Bass – Jean-Philippe Viret
Lyrics By, Music By – Joseph Racaille
Piano, Vocals – Joseph Racaille
Saxophone – Christophe Baillot
Violin – Bruno Girard
A4 – Skeleton Crew - Making Seek And Hide (2:58)
Cello, Bass, Drums, Vocals – Tom Cora
Guitar, Violin, Drums, Vocals – Fred Frith
Music By – Fred Frith
Organ, Harp [Electric], Drums – Zeena Parkins
A5 – Skeleton Crew - The Way Things Fall (2:20)
Cello, Bass, Drums, Vocals – Tom Cora
Guitar, Violin, Drums, Vocals – Fred Frith
Lyrics By – Rebby Sharp
Music By – Fred Frith, Tom Cora
Organ, Harp [Electric], Drums – Zeena Parkins
B1 – Regular Music - Idyllic Rythms (5:38)
Drums – Charles Hayward
Guitar – Bron Szerszynski
Keyboards – Helen Ottaway, Jon Parry
Music By – Jeremy Peyton Jones
Saxophone – Jeremy Peyton Jones
Saxophone, Bass Clarinet – Sarah Homer
Tuba – Mike Daniels
Viola – Maria Lamburn
Violin – Jocelyn Pook
Vocals – Mary Phillips
B2 – Virgule IV - Trahi Ton Secret (3:51)
Bass, Vocals – Christiane Cohade
Cello, Backing Vocals – Françoise Morel
Keyboards, Backing Vocals – Cathy Valade
Lyrics By, Music By – Christiane Cohade
Percussion, Backing Vocals – Isabelle Lentin
B3 – Les Batteries Post - Polar (6:28)
Drums – Guigou Chenevier, Rick Brown
Drums, Keyboards – Charles Hayward
Music By – Charles Hayward, Guigou Chenevier, Rick Brown
B4 – Pascal Comelade Et Le Bel Canto Orquestra - Chanson Pop (2:00)
Music By – Pascal Comelade
Performer – Cathy Claret, Corinne Cardinaud, Didier X, Jean Albert Achille, Laurent Churet, Pascal Comelade, Patrick Chenière, Phil Gaz, Pierre Bastien, Pierre Bonnefoi, Thierry Galletto
B5 – Pascal Comelade Et Le Bel Canto Orquestra - Park Guell (3:27)
Music By – Pascal Comelade
Performer – Cathy Claret, Corinne Cardinaud, Didier X, Jean Albert Achille, Laurent Churet, Pascal Comelade, Patrick Chenière, Phil Gaz, Pierre Bastien, Pierre Bonnefoi, Thierry Galletto

Mixed At – Sound & Vision Studio, Zürich
Mastered At – Translab
Recorded At – Arènes Coinon
Printed By – SNA
Liner Notes – Ferdinand Richard
Mixed By – Andy Rathgeb, Ferdinand Richard, Fred Frith (tracks: A4)
Recorded By – Andy Rathgeb

Note
LP-sized insert with track list and bio of artists in French and English and a folded A4 insert with the MIMI '87 programme, red print on gray paper

Enregistrements réalisés les 3, 4, 5, 6 juillet 86 aux arènes Coinon, Saint-Rémy-de-Provence, France.
Mixé au studio Sound And Vision (Zürich), du 18 ou 23 Novembre 86.

Various ‎– Festival MIMI 87 (1987, LP, France)

MIMI 1987
2e édition
Arènes Coinon St Remy De Provence

After Dinner (Japon)
Ghedalia Tazartes (France)
Julverne (Belgique)
Die Schwindler (BRD)
Fish and Roses (USA)
Les 4 guitaristes de l’apocalypso bar (Québec - GB)
Art Moulu (France)
Cassiber (BRD - GB)

A1 – After Dinner - The Room Of Hair Mobile (3:27)Composed By, Lyrics By – Haco
Written By – Haco/Haco
A2 – Cassiber - Orpheus Mirror/ I Tried To Reach You (6:01)
Composed By – Cutler, Anders, Goebbels
Written By – Goebbels/Anders/Cutler
A3 – Julverne - Layettes (4:51)
Composed By – J. P. Laurent
B1 – Fish And Roses - Raisins (3:33)
Composed By – Sutter, Brown, Garner
Written By – Brown/Garner/Sutter
B2 – Les Quatre Guitaristes De L'Apocalypso-Bar - La Chute De La Maison Usher (7:42)
Composed By – A. Duchesne
B3 – Art Moulu - Corrigés De Lecture (2:33)
Composed By – Art Moulu
B4 – Die Schwindler - Neues Vom Hexer (3:09)
Composed By – Arthur V. Rügenfels

Recorded At – Arènes Coinon

Recorded At – Festival MIMI
Mixed At – Sound & Vision Studio, Zürich
Made By – Sonopress – C-0058

Note
Enregistré en public pendant le Festival MIMI (Mouvement International des Musiques Innovatrices), les 2, 3, 4, 5 juillet 1987 aux arènes Coinon à Saint-Rémy-de-Provence. France [Recorded 2nd to 5th July 1987 at the MIMI (Mouvement International des Musiques Innovatrices) Festival, Coinon Arenas, Saint-Rémy-de-Provence]

Vortex – 1975-1979 (2003, 2xCD, France)

CD 1 - Vortex - 49:52
1. Haroun'thasckouack (10:40)
2. Ahsquoumboum (6:55)
3. Delicieuse Creature (14:32)
4. Abominable Creature (1:10)
5. C'est Cool, Raoul (11:43) (Bonus)
6. Prolego 1 (5:01) (Bonus)

CD 2 - Les Cycles De Thanatos - 50:48
1. God Is Good For You, John (4:28)
2. Prolegomenes (11:43)
3. Les Cycles De Thanatos (25:16)
4. 4. Hipopotalamus Negrus (5:46) (Bonus)
5. Ivanoe (4:35) (Bonus)

Line-up of Vortex:
Jean Pierre Vivante / Fender Rhodes guitar
Jacques Vivante / bass
François Gerald / drums
Gérard Jolivet / saxophone
Jeff Trouillet / flute

Line-up of Les Cycles De Thanatos:
Jean Pierre Vivante / Fender Rhodes guitar, Yamaha organ, piano
Jacques Vivante / bass
Gérard Jolivet / saxophone
Christian Boissel / Fender Rhodes guitar, hautbois, English horn
Jacques Guillot / saxophone
Jean-Michel Belaich / drums
Alain Chaleard / percussions
Maurice Sonjon / percussions

Guest musicians:
Sunny James / violin (1)
Michel Boissel / bassoon (3)

Art Zoyd ‎– 44½ : Live + Unreleased Works/ CD1- Berlin (1986) new link!

mediafire

Nobuyoshi Koshibe, Takashi Kokubo ‎– Giant Gorg - Synthesizer Fantasy デジタル・トリップ 巨神ゴーグ シンセサイザー・ファンタジー (1984, LP, Japan)

Tracklist:

A1. 出会い - Encounter (Journey to Adventure ~ Bright Eyes)A2. 旅立ち - Departure (Mystery of Austral Island ~ The Great Plains)
A3. 危機 - Crisis (A Deep Distress ~ Stalemate)
B1. 探険 - Exploration (GAIL's Theme ~ Mystery Zone)
B2. 戦闘 - Battle (Journey to Adventure ~ Onward ~ Twilight
B3. 希望 - Hope (Believe in Me, Believe in You)

Performed by Nobuyoshi Koshibe (越部 信義) and Takashi Kokubo (小久保 隆). Percussion was done by Akira Ishikawa (石川 晶).

Zero Zero Zero ‎– Crypto Sensus (1985, CD, France)

Songs

1 - Part Three - Pour Produire Un Sentiment De Chaleur Sous La Tête Du Défunt (3:59)
2 - Irruption (5:03)
3 - Part Two - Pour Ne Pas Subir Le Châtiment (11:59)
4 - Les Succubes (9:36)
5 - Part One - Pour Que L'Ame Ne Soit Pas Capturée Dans L'Au-Delà (4:28)
6 - Le Balancement Cathartique (1:59)
7 - Part Four - Pour Ne Pas Etre Echaudé En Buvant De L'Eau (3:01)
8 - De Sales Lendemains (5:35)

Musicians
Frank-William Fromy / bass
Edward Perraud / drums, percussions
Vincent Sicot-Vantalon / electronics

Triple Zero is a French trio that plays aggressive instrumental progressive rock that bears a strong resemblance to King Crimson at their most aggressive, but also incorporates Zeuhl and various other avant-progressive influences. The band consists of Vincent Sicot-Vantalon on electronics, and former Shub Niggurath members Edward Perraud on drums and Frank Fromy on bass (though he must be playing guitar as well).

The disc starts off with a driving Crimson jam that is full of whooshing electronics. Perraud's drumming is a powerful force throughout the entire album, keeping the pace intense, and often frenzied, while the deeply thudding bass pounds and the varied keys and synths lay down both razor sharp Frippoid lines and bubbling freaky effects. "Irruption" is a fantastic combination of all the band's Crimson, Zeuhl, and RIO influences. A weird analogy but it's almost like Fripp playing guitar for Present with spaced out synths instead of piano. The spacey electronics mixed with the aggressive music played against a pace set by an impressive and energetic drummer is very much a trademark of Triple Zero's sound.
"Part IV" features some of the best searing electronics on the album, here filling the guitar role, and the synths cut loose like they were whipped up in a storm. The music has a metallic Frippoid edge and Perraud once again leads the way keeping the pace frantic and intense. There's also an untitled bonus track that is very different from the rest of the album. It features much more varied percussion from Perraud, as well as more varied electronics. We hear a bit of techno mania, plus lots of textural synths in the background. There are also bits that are more overtly Crimson than the other tracks, but this is primarily an electronica tune. After several minutes of silence during this 13 minute track the synths start to bubble again, soon joined by percussion which kicks in some wild electro beats that are part tribal, part hip-hop/techno, and driven by start-stop sequenced lines. An interesting tune.
In summary, Triple Zero combine the best of King Crimson with RIO and Zeuhl influences to create highly aggressive instrumental progressive rock that also features a healthy dose of freaky electronica. The result is a fresh and exciting sound that has recognizable influences but is totally Triple Zero's own sound. Highly recommended.

Osiris ‎– In The Mist Of Time (1980, LP, Japan)

Hiro Kawahara's pre-Heretic band. Many other recordings were also released on cassette between 1978-1982, under the names of Osiris, Astral Temple and Dr. Jekyll & Mr. Hyde. These are all hopelessly obscure and impossible to find.

While not exactly a pioneer of Japanese Experimental Music but certainly one of the most important figures of the underground Eastern-Asian Electronic scene, Hiro Kawahara started his music journey playing the guitar and then switching on keyboards with German synthesist Manuel Goettsching being his major influence.In 1978 he gave birth to the Osiris project, which was actually a pseudonym used by Kawahara.He released several cassette albums under this moniker but only one LP, the legendary ''In the mist of time''.As with most of his albums, this work was recorded in ten days during August 1980 at the Sound Of Poppy Studios with Goa on drums and Rosi on voice (pseudonyms for the pair of guest musicians appearing in the album).It was released later during the same year.

''In the mist of time'' is a beautiful work of melancholic, dreamy Electronic Prog with ethereal, spacey soundscapes created by Kawahara.According to his words, he was strongly inspired by nature and his walks through the mountains, and the album perfectly reflects Kawahara's feelings at the time.It often becomes very peaceful with cinematic textures and smooth drumming, other moments are dominated by Kawahara's cosmic synthesizers with a Berlin School-like flavor towards somber and atmospheric images.Sporadic, wordless vocals make the whole effort sounding even more impressive and the works of SENSATIONS' FIX and RICHARD SCHNEIDER JR. often spring to mind.As a guitarist Kawahara appears in several tracks to deliver loose and somewhat psychedelic solos, often in the abscence of any supporting instrument.The second side is more minimalistic with hypnotic electronics and sparse use of drums, but some pieces follow the likes of mellow, synth-based Electronic Rock with a few MIKE OLDFIELD influences in the background.

Kawahara finished his work as Osiris around 1982 and re-appeared a couple of years later with Heretic, another Electronic-spiced act, which released quite a few albums and compilations, mainly through the 80's and the 90's.

An albums, which seems destined to be tasted by vinyl collectors around the world.Melancholic and trully atmospheric Electronic/Psych Prog with some great soundscapes.Recommended. (apps79)

Ennio Morricone ‎– L'Attentato (Colonna Sonora Originale) (1972, LP, Italy)

Music composed & orchestrated by Ennio Morricone

Orchestra directed by Nicola Samale

Drama movie directed by Yves Boisset, starring Jean-Louis Trintignant, Michel Piccoli, Gian Maria Volonte', Philippe Noiret.

Art Zoyd ‎– 44½ : Live + Unreleased Works/ CD2 - Berlin (1986) + Häxan (1996)

Berlin, Live In West Berlin, The Loft (April 1986)
CD1-1     Epithalame  (19:33)
CD1-2     Horses (Unreleased)  (11:53)
CD1-3     Klapzz (Unreleased)  (04:48)
CD1-4     Petite Messe À L'usage Des Pharmaciens - Offertoire  (03:12)
CD1-5     Petite Messe À L'usage Des Pharmaciens - Kyrie  (02:17)
CD1-6     Unsex Me Here  (03:37)
CD1-7     Mouvance 1  (05:39)
CD1-8     A Drum A Drum  (22:34)
link to this post #1
CD2-1 Petite Messe À L'usage Des Pharmaciens - Introït  (2:35)
CD2-2 Mariée À La Nuit (8:02)

Häxan, Live In Copenhagen, European Capital Of Culture (February 1996)
CD2-3 Rêve Non Valide  (4:26)
CD2-4 Häxan A  (6:47)
CD2-5 Häxan B  (2:06)
CD2-6 Septima Du Centaure  (1:10)
CD2-7 Häxan D  (6:13)
CD2-8 Rêve Non Valide  (0:32)
CD2-9 Häxan C  (4:54)
CD2-10 Häxan A  (2:01)
CD2-11 Épreuves D'acier I  (6:46)
CD2-12 Häxan A  (3:02)
CD2-13 Épreuves D'acier II  (2:06)
CD2-14 Rêve Non Valide  (5:20)
CD2-15 Épreuves D'acier III  (7:50)
CD2-16 Nuits  (6:17)
CD2-17 Septima Du Centaure  (0:21)
CD2-18 La Chute Des Anges  (3:51)

to be continued

Kyriakos Sfetsas Κυριάκος Σφέτσας ‎– Το Στίγμα [To Stigma] (1982, LP, Greece)

Kiriakos Sfetsas "Stigma" music from the movie of Pavlos Tasios.

Orchestration - Conductor: Kiriakos Sfetsas

Musicians:
Tasos Poulimenos: flute, bass flute, clarinet, tenor saxophone
Vangelis Christopoulos: oboe
Manthos Halkias clarinet
Yannis Theodoridis: trumpet
Nikos Tatsis: lute
Babis Laskarakis: electric guitar
Giorgos Zikogiannis: electric bass
Yiannis Saroglou: electric bass
Yiannis Terzakis: piano, fender, body
Lefteris Tzimas: drums, percussion
Dimitris Vraskos: violin
Christos Sfetsas: cello

Production: Kiriakos Sfetsas
Recording: Studio I Columbia, May & September 1982
Sound Engineer: Stelios Giannakopoulos
Assistants: G.. Papaioannou, G.. Tzanes

Yasutaka Tsutsui, Kosuke Ichihara, Masahiko Sato ‎– デマ Rumour (1973, LP, Japan)

Tracklist
A1 Prologue (1:19)
A2 Information1 - Information21 (16:46)
B1 Information22 - Information49 (15:10)
B2 Epilogue (2:36)

Group 1
Akira Ishikawa/ Drums
Hideo Ichikawa/ Electric Piano
Kimio Mizutani/ Electric Guitar
Kohsuke Ichihara/ Flutes, Soprano, Alto, Tenor and Baritone Saxophone
Masaoki Terakawa/ Electric Bass
Takao Naoi/ Electric Guitar

Group 2
Hozumi Tanaka/ Drums, Percussion
Keiki Midorikawa/ Double Bass
Masahiko Sato/ Piano, Synthesizer

This is a very rare record from 1973 by two Japanese supergroups of renowned Jazz and Progressive rock musicians led by science-fiction and avant-garde author Yasutaka Tsutsui. It is a combination of cosmic jazz, psychedelic space-rock and free improvisation.