May 25, 2019

Ezra Winston ‎– Ancient Afternoons (1990, LP, Italy)







Songs
1. The Painter and The King (10:05)
- i. The Arrival of The Painter
- ii. Nightmare
- iii. The Sentence
- iv. Execution
- v. Over the Candle-light
2. Verge of Suicide (9:04)
- i. The Bus Stop
- ii. Indifference
- iii. Watchman of The Glass Managerie
- iv. The Choice
3. Night Storm (6:07)
4. Ancient Afternoon of an Unknown Town (26:05)
- i. Prelude
- ii. Magician's Words
- iii. Interlude (on the March)
- iv. Glares
- v. Mountains of Munis
- vi. The Ambush and The Battle
- vii. Interlude (Night on Munis)
- viii. The Dragon and the Ruby of Kos
- ix. Postlude


Musicians
Mauro Di Donato / lead & backing vocals, synths, samplers, electric piano, bass, fretless bass, double bass, acoustic (4,5) & classical guitars (4), effects, co-producer
Fabio Palmieri / electric, acoustic, classical and 12-string guitars, effects, co-producer
Paolo Lucini / flute, piccolo, tenor and soprano saxes, effects, MIDI winds synth (5)
Daniele Iacono / acoustic and electronic drums, percussion, vibes, effects
With:
Steve Pontani / electric guitars and loops (5)
Aldo Tagliapietra / 5-string bass, lead vocals (3)
Gianni Colaiacomo / bass (5)
Francesco Berluti / trumpet
Tony Saltz / trumpet
Giancarlo Berluti / horn
Giovanni Giuliano / horn
Domenico Sebastiani / horn
Salvatore Sanseli / trombone
Francesco Scalone / trombone
Augusto Mentuccia / tuba
Tommaso Guidi / oboe
Cristina Santoni / backing vocals ("dark siren's choirs") (5)

Hailed as one of the most influential Italian prog bands of the 1980's, Ezra Winston took a variety of styles and became a melting pot for all sorts of colors and emotions in music. Any given song could start off with a definite neo feel, but then angle off into jazz or classical reminiscent of medieval times. Ezra Winston weren't content with following a certain path, but blazing trails not often heard in neo progressive music.

In 1988 the band (consisting of Mario Bianchi on rhythm samples, synthesizers, piano, organ, Mauro Di Donato on solo samples, synthesizers, vocals, bass, Daniele Iacono on drums, percussion, vibes, Paolo Lucini on flute, piccolo, and Fabio Palmieri on classical & electric guitars) released Myth of the Chrysavides, the music is a mixture of classic Camel with a bit of Steve Hackett thrown in. A very daring debut by a band eager to make a name for themselves.

In 1990, Ezra Winston returned with the adventurous Ancient Afternoons, which has been widely acclaimed as a masterpiece. For example, the opening of the first track, the Painter represented by a lone flute is answered by the King, played by the entire band. As described by Remco Schoenmakers of DPRP, "The main track, the 26 minute symphonic poem of Ancient Afternoon also combines all previously mentioned style-figures. It is quite chilling in atmosphere, calm yet threatening, despite the classical opening, which reminded me of some wedding track. Wonderful movements flow seamlessly into each other. The 1996 bonus track Shades of Grey is also very nice, indeed sounding a bit more modern."

At the time of this update, it is unknown what is ahead for Ezra Winston. According to the band's website, guitarist Fabio Palmieri has left the band and has been replaced by Steve Pontani, who played sparingly on Ancient Afternoons. (progarchives)

1 comment:

centraldoprog said...

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