Studio Album, released in 1975
Songs / Tracks Listing
1) Le Thème
2) Sept-quatre
3) Le Matin
4) Ascencoeur
5) Vrai ou fou
6) T'as des nuages
7) Bord en bar
8) Finale du thème
Line-up / Musicians
Jacques Blais / guitars, lead vocals
Christiane Robichaud / vocals, vocal and flute arrangements
Yves Laferrière / bass, vocals
Robert Lachapelle / piano, electric piano, organ
Jean-Jacques Robichaud / flute
Musically besides being a worthy Contraction album, Blais' wonderful and warm guitar virtuoso and autodidact style is plenty more reason to fall under the spell of Thèmes, which appears to be a musical thematic album Starting on Robichaud's inimitable vocals, the "Theme" is a lovely quiet intro, moving on to a mid-tempoed piece where Blais' guitar takes the listener by the emotions soaring in the sky, before the closing section returns with Christiane's heavenly vocalizing. Sept Quatre is a 7/4 piece that was quite popular on the radio airwaves and features wordless vocals ala Wishbone Ash in Argus, but Contraction is blasting away, while Blais is now reaching the stratosphere. Le Matin is a Blais-sung track (accompanied by Chrstiane's brother on flute), but Blais' voice is certainly not his main feature. Ascencoeur (a clever pun associating elevator and heart) is a slow developing crescendoing piece dominated by Blais guitar, ending the first side and contrasting heavily with the flipside opener.
Indeed Vrai Ou Fou (true or crazy) is a schizophrenic piece contrasting between an evil guitar riff and more atmospheric moments, but in the end, the guitar histrionics win easily, Blais putting in a brilliant performance, although pushed to the limit by Contraction. T'as Des Nuages (you have clouds, but bunch of clouds if you remove the apostrophe) is another Blais-sung track, but neither outstanding, nor standing out Bord En Bar sees the discreet return of Christiane Robichaud, but the track is a Hendrixian guitar fest, while the closing Thèmes is a reprise of the middle section of the opening track.
After parting company with Contraction in July that year, the second part of 75 will see Blais enjoying major local success, sharing Festival stages with Offenbach, Aut'chose, Conventum and Michel Madore. By mid-76, Blais had formed a new duo called Fantasia, improvising very popular gigs, before performing for Mick Jagger's birthday (in Montreal to see the Olympics). Fantasia will grow, including members of Eclipse, Pollen and Pouls and will eventually release in 77 an album called Jacques Blais & Fantasia, produced by Harmonium's Michel Normandeau, but this is another story. In the meantime, Themes is an extremely fine album, one that was almost forgotten, but the fantastic duo of ProgQuebec just unearthed this gem. (search: Progarchive)
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