Flat Earth Society -- Live bootlegs

The Vortex, London

Recorded: 11th May 2012

Broadcast: 18th June 2012 (BBC Radio 3: Jazz on 3)

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Terms of Embarrassment - Frank Zappa

June 18, 2016, Live at Domicil, Dortmund (Germany)

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Modernski

2013-12-13, Live at De Kring Roosendaal (Netherlands)

Broadcast: R6 Soul & Jazz 2014-03-30/31

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The Oyster Princess [Festival Música Estranha]

2015-11-25, Live at Teatro SESC Vila Mariana. Sao Paulo (Brazil)

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Kay Hoffmann ‎– Floret Silva (1985, Germany)

Sounding at times like Vashti Bunyan fronting Sunforest, Floret Silva is a haunting mix of medieval music and progressive psych folk with Latin lyrics straight from the 13th-century Carmina Burana manuscript. The Floret Silva project was born when minimalist composer Kay Hoffman went to Italy in the mid-'70s. Once there, she met Welsh soprano Jacqueline Darby, who had recently been working with the Italian avant-prog band Pierrot Lunaire. Darby was working on new compositions with RCA producer Vincenzo Micocci in Rome and she asked Hoffman if she was interested in getting involved in a new project. Hoffman agreed and Gaio Chiocchio and Arturo Stalteri of Pierrot Lunaire also joined them on this new venture. Chiocchio travelled from Rome to play the guitar and other friends of Darby's also offered their collaboration. In a short time, Hoffman wrote all the material, inspired by the Carmina Burana and her love of Medieval and Renaissance music. Hoffman also contributed vocals, clavinet, and piano and, with Darby's haunting vocals and an impressive cast of jazz/rock/prog musicians, recorded Floret Silva during 1977 and 1978, under Micocci's guidance. Sadly, RCA backed off and the album went unreleased until a copy of the masters found their way to Japan, where the great Belle Antique label put out the first vinyl edition of Floret Silva in 1985. In 2006, US label Robot Records resurrected it again for its first CD release (ROBOT 034CD). After many years out of print on vinyl, Sommor presents a 2016 edition of this lost piece from the '70s Italian underground scene. A visionary album that anticipated the sound practiced by many neo-folk bands some decades later. RIYL: Jan Dukes de Grey, Vashti Bunyan, Sunforest, The Wicker Man, Pierrot Lunaire, Opus Avantra, Current 93, Nico, Gal Costa, The Wooden O, Giles Farnaby's Dream Band.

Floret Silva is a pure 70s art rock project, from concept to execution, a progressive folk adaptation of the 13th-century medieval songs collectively known as the Carmina Burana. Remarkably, it does not collapse under the weight of its own concept, and holds up quite well nearly 30 years after its recording.

KHA - YM ‎– 10 "GMT (1979, LP, France)

Tracklist:
A1 Balance  3:29
A2 Un Eté À St-Amand  2:20
A3 San Fedo  3:22
A4 Rencontre Impromptue  3:01
A5 Big Ben  4:16
A6 Dernier Flash  3:39
B1 Voyage Ou Comment Y Aller  3:03
B2 Seven Easy Calls  10:37
B3 Special 2  1:48
B4 Mélopée À Retard  1:50
B5 Georges  3:50
B6 10"G.M.T.  0:10

Musicians:
Bass, Voice, Percussion, Guitar, Keyboards, Words By, Music By – Alain Gerbe
Drum, Tabla, Voice – Jacky Michaud

Kha-Ym was a duo of Alain Gerbe and Jacky Michaud. Alain conceived the album on his own and essentially played all the other parts on the recording – base, percussions, guitars and keyboards. He brought in Jacky to fill out the drums and add additional percussions. Influenced by their interest in progressive music, they decided to create an album. Alain wrote the music, and the duo practiced for some time before they began recording, in their home, with two Revox A77 tape machines.
That way they put together all the tracks recorded to be included on their only album – 10² G.M.T. Knowing in advance that no big label would sign them because their music was not commercial (and punk was the flavor of the season at the end of the 1970s), they decided to press the album themselves at FLVM, a French ‘do it yourself’ label. Before taking it to press, the guys added some overdubbing at Roanne studio with sound engineer Mark Tamburro, and the album was released as a Roanne Music record. The big advantage at the Roanne studio were the additional instruments and the polyphonic Korg synth that Alain used through the recording. avantmusicnews.com
flac

MELLOTRON - IL PROGRESSIVE ITALIANO - 2 ORE DI STORIA DEL POP ANNI 70 (TV, DOCUFILM)

Bellissimo film documentario con 2 ore di filmati storici, racconti e interviste con i principali protagonisti della stagione d'oro del Progressive Rock italiano, la sua nascita e fonti d'ispirazione, le varie correnti e contaminazioni, il periodo dei Festival, i gruppi e artisti storici e quelli meno conosciuti. Un documento imperdibile da vedere assolutamente!

 

part 1 | part 2

Neo Museum ‎– Volume 1. Nouvelles Ethnologiques de l'Obscur Muséum (1985, LP, France) Repost!

Nouvelles Ethnologique de L`Obscur (NEO) Museum was a continuation of the group Hellebore. After the latter folded, guitarist Antoine Gindt, sax/clarinet player Alain Casari, and drummer Daniel Koskowitz formed this new outfit and released a single album in 1985. Unfortunately, this incarnation did not last either, but were fortunate to at least have a single record of their efforts. The music is influenced by RIO pioneers such as Henry Cow and Etron Fou Leloublan.
As for the album, it is a smorgasbord of maniacal Henry Cow soundscapes bouncing from pillar to post and never letting up with its catchy jazzifications and unintellectual punches of avant-garde saxophone and Frithian guitar. A delirious display of dashing Krimsionesque doodlings is also present on track 2 (Un sidérurgie no.1). Think In the Court of the Crimson King buttressed against some Larks` Tongues in Aspic and Western Culture and you should get a feel of how much of this album sounds. Track 3 (Un sidérurgie no.5) sounds very much like an abandoned Nucleus or Graham Collier track and has a very catchy riff to it. The sax work is impeccable and reminds me of a crazier David Jackson. The bass work is also very interesting and wanders around in the background yet is a vital cog in the motion that is Nouvelles Ethnologique de L`Obscur Museum.

"Un style dur et épuré, une conception particulièrement ciselée du trio"
Daniel Koskowitz: Batterie, Percussions

flac

 

Side A
A1. Une Sidérurgie N° 4 - 5:34
A2. Une Sidérurgie N° 1 - 6:31
A3. Une Sidérurgie N° 5 - 3:49
A4. Erreur D'Errance Song - 5:53
Side B
B1. Premier Élément - 5:21
B2. Éléments De Paraphrase - 6:34
B3. Rahcuoba Pro Afghan - 9:04

Musicians:
Alto Saxophone - Alain Casari
Bass Clarinet, Flute [Bass] - Jérôme Bourdellon (Tracks: B3)
Drums - Daniel Koskowitz
Guitar, Bass - Antoine Gindt
Piano - Antoine Gindt (Tracks: A4)
Sopranino Saxophone - Pascal Sieger (Tracks: A1, A2)
Tenor Saxophone - Raoul Binot (Tracks: A2, B1)
Trombone - Jacques Veillé (Tracks: B1, B2)


Notes
Recorded in February, November and December 1985 and mixed in January 1986 at the Studio of the Centre Culturel André Malraux.

Banco - Live Cascina Monluè, Milano (1980, CDr, Italy)

Banco - Cascina Monluè, Milano 17th july 1980 (SBD)

Setlist:

1) Canto di Primavera

2) Garofano Rosso

3) Si dice che i delfini parlino

4) E mi viene da pensare

5) R.I.P.

6) Quando la buona gente dice

7) Di terra

8) Capolinea

9) Il ragno

10) Non mi rompete

11) Piano improvisation/

12) 750.000 anni fa...l'amore

13) Traccia II

Musicians:

Francesco Di Giacomo - Vocals

Rodolfo Maltese - Electric Guitar, Acoustic Guitar, Vocals

Gianni Nocenzi - Piano, Synthesizer
Vittorio Nocenzi - Synthesizer, Vocals

Pierluigi Calderoni - Drums, Percussion

Gianni Colaiacomo - Bass, Acoustic Guitar, Vocals

Blue Motion - Blue Motion (1980, CD, Switzerland)

Blue Motion is an offshoot from Swiss band Circus, known from their acclaimed album Movin' On (1977). Their eponymous album from 1980 delivers a fine progressive blend of jazz, electronic and classic with great interplay between the piano and synthesizers and inventive work on the xylophone.

Rocchi - De Piscopo ‎– Metamorphosis (1981, LP, Italy)

Tracklist:

A1. Cyclops  (4:30)

A2. Daphne  (4:20)

A3. Perseus  (3:55)

A4. Echo  (3:23)

A5. Hercules  (3:00)

B1. Orpheus  (3:38)

B2. Icarus  (3:44)

B3. Niobe  (2:38)

B4. Glaucus  (3:58)

B5. Myrrha  (3:25)

B6. Biblis  (3:40)

Musicians:

Bass – Julius Farmer

Bugle, Trumpet – Cicci Santucci

Guitar – Sergio Farina

Keyboards – Oscar Rocchi

Percussion – Tullio De Piscopo

Soprano Saxophone, Flute – Hugo Heredia

The early Eighties marked a transition in popular music, especially for a generation of musicians (still heavily influenced by the previous decade) trying to assimilate the changes in aesthetics and technology which were occurring. Disco music is dead, so is prog, synths are still too expensive and unreliable, jazz is lost somewhere and the term fusion has become really popular. This the environment in which this album – released in 1981 by library music label Ring – was recorded by a bunch of jazz players and session men from the Milan area, led by pianist Oscar Rocchi and world famous drummer Tullio De Piscopo (respectively credited for seven and four tracks of the album). The stellar line-up features bass player Julius Farmer (from New Orleans), guitarist Sergio Farina, Argentinean sax and flute player Hugo Heredia and Cicci Santucci (trumpet and saxcorn).
Metamorphosis is not the typical fragmented collection – something pretty common in the world of library music; this is a body of heterogeneous songs with a common ground, a solid body of work (which would surely fit in De Piscopo’s and Rocchi’s personal discographies). The genre is fusion, still positively influenced by jazz-funk (no muzak effect here!) but also following the impulse to experiment typical of the most progressive jazz-rock. De Piscopo is in top shape (it’s not a coincidence that, in 1981, Vai Mo by Pino Daniele was also released), sporting a bit less exuberant style of playing compared to his jazz albums of the same period – so he sounds really effective and sharp. With Farmer (who was playing with Dr. John and Professor Longhair before moving to Italy) he makes one of the best rhythm sections of Italian music of the Seventies and Eighties (if you’re not convinced, just listen to Carta Straccia and America Good-Bye, two amazing pop albums with a funk soul).

Axis -- Axis (1973, LP, Greece)

Axis was formed in 1970 by Dimitris KATAKOUZINOS and Demis VISVIKIS, after they had hooked up as members of the backing band for Demis ROUSSOS (APHRODITE'S CHILD). They released three albums between 1971 and 1973. Their third album (their second self-titled album) brings the most interest to this site, as it is a mixture of heavy prog, canturbury jazz-rock, and pure fusion.

Boris Kovac ‎– Profana Liturgija (1991, CD, Serbia)

Tracklist:

1 Introduction : Profound 8:22 

2 Autumn Room : Delighted 13:21 

3 1st Interlude : Pensive 2:29 

4 Folk Prelude : Love Sick 4:48 

5 Scherzo : Loosely, Trivial 4:39 

6 2nd Interlude : Nostalgia 3:30 

7 Sound Archaeology : Misteriously 4:51 

8 Dervish Theme : Trance 13:29 

9 Interludum Circulus : Sacral 3:00

Performed by Ritual Nova Ensemble:

Nenad Vrbaški – violin

Nebojša Pandurović – cello

Veljko Nikolić Nik – sampler/percussion/accordion

Bora Janić – drums

Boris Kovač –reeds/sampler/accordion

Published by ADN, Milano, 1991

"Boris Kovac is one of a handful of modern composers and performers from the region of Hungary, Bulgaria, and Yugoslavia whose names reached Western Europe and America. Strongly influenced by folk music from that region (a fascination he shares with István Mártha and Ernö Király), minimalism, Bela Bartok, and the philosophy of Bela Hamvas (also influential on Hungarian composer Tibor Szemzö), Kovac's music takes multiple forms."- François Couture/All Music Guide

"Music is the last relief between earth and sky. Deus sive natura. Petrol is more expensive today than yesterday. I live in a country called Yugoslavia and sometimes remember my father. Children are singing in the street… The neighbour is drunk… Thanks to all friends and enemies who help my work.

Chris Cutler, ‘Resonance’, London – ‘His composition, like a great release, possessed the spellbinding quality of great folk music: easy virtuosity, attention to the minutiae of expression, unembarrassing pathos… a deep base of audible, almost tactile emotion. Kovac slips easily across that twilight zone where contemporary composition and folk music touch.’

MUNJU Complete Discography: High-Speed Kindergarten (1977) Moon You (1978) Brot + Spiele (1980) Le Perfectionniste (1984) + Unreleased Material

A typical Schneeball fusion band at the start, Munju originated in Würzburg, Germany circa 1976 as the new group of ex-Missus Beastly and Erna Schmidt winds-player Jürgen Benz.

A notable Kraan feel lived in their early recordings, with the bass being the kingpin of it all, with a multi-percussion axis and solo work from the guitar and winds. Increasingly, via their association with Embryo and RIO bands, they continually progressed and diversified.

Who is Munju?

One could say that Munju was one of the most outstanding German Bands ever!

Munju can be described as a post "CAN' and "KRAFTWERK" generation band and played originals only.

The core of the band - Dieter Kaudel/ guitars, oud and vibraphone, Wolfgang Salomon/ bass and keyboards und Thomas Römer/ drums and trumpet - played and toured together for 10 years and led Munju through their journey of different musical inspirations and styles.

The journey began as an instrumental fusion rock band in 1976 and slowly crossed over towards highly advanced rock with some German vocals. In their later years a touch of avantgarde was added into their repertoire (i.e. on their last album "Le Perfectionniste") .

Let's start from the very beginning:

The first Munju team consisted of Jürgen Benz on saxophone/flute, Wolfgang on bass, Dieter on guitars and Thomas on drums.

Jürgen had just quit his job with Missus Beasty and returned to his hometown Würzburg. He was looking to form a new band. Wolfgang and Thomas used to play together in the local rock band "Pozzokko" with guitarist Bernhard Potschka (later Nina Hagen Band and Spliff). Dieter played with "Neffe Bruno", an experimental band with Thomas' younger brother, percussionist Rainer Römer, who later persued a career in classical music and co-founded the renowned "Ensemble Modern"

The newly formed Munju created an energy and sound the audience instantly loved.

They became part of the independent musicians owned record label & distribution "Schneeball" together with Embryo, Missus Beastly, Ton Steine Scherben and many more.

Munju was first and foremost a touring live band. They played way over 1000 gigs in the 10 + years of their existence. Most of the gigs took place all over Germany and the highlights were tours through Italy, Sicily, Sweden, Austria, France, Spain and Switzerland.

Munju recorded two albums with their original line-up, but shortly after the second album, "Moon You," (1978) Jürgen left the band.

Alto Pappert (Kraan) on saxophone joint the group as a guest for one concert tour. After that, Munju developed their special sound and skills as a trio.

In 1979, Saxophonist Fred Lamberson from San Francisco became the fourth man. The next project was Munju's 3rd and most successful album, "Brot + Spiele". With this line-up, Munju toured Italy and Sicily, gave lots of radio and television interviews and also teamed up with "ZAMLA," an independent band from Upsala, Sweden for two big concert tours all the way through Germany and Sweden. Radio Malmoe broadcasted a Munju live concert.

In 1982 Fred left the band and returned to San Francisco.

Again, Munju performed as a trio until they met Peter Haas, a keyboarder from Berlin. Peter joined the band for about 9 months.

Within this time (1982-1984), Munju recorderd several videos in studioproduction and live.

After Peter left, Eddie Rüdel, a young guitarist from Würzburg, became the 4th member. With this line-up, Munju recorded their 4th album, "Le Perfectionniste" in 1984.

In January 1986, Dieter left the band to focus on his new business K&K Sound.

Later that year, Munju wrote and performed the music for the Faust ballet production at the Stadttheater Würzburg. For this project, Munju was joined by Burkard Schmidl on keyboard.

For another tour through Germany and France, Wolfgang, Thomas and Eddie were joined by Klaus Englert on trumpet.

Munju - High Speed Kindergarten (1977)

Great debut by this German band released in 1977, it was very much the norm for many Krautrock bands of the mid to late 70's. Kind of a tight jazz/rock fusion with that distinct krautrock flavour. The lineup featured ex 'Missus Beastly' alumni Jürgen Benz on sax and flute. Also, some really nice electric & acoustic guitar soloing provided by Dieter Kaudel. The rhythm section's also solid. They had a sound much like Kraan circa 'Andy Nogger' or Embryo 'Surfin' or 'Bad Heads & Bad Cats' period. Perfect example of jazz fusion influenced Krautrock.

Side A

A1 Kirschsuppe (9:09)

A2 Fall Oslip (8:52)

Side B

B1 Patschamenga Underground (5:32)

B2 Talk To Me But I Listen To You (5:57)

B3 High Speed Kindergarten (6:46)

Musicians:

Alto Saxophone, Flute – Jürgen Benz

Bass – Wolfgang Salomon

Congas – Joseph Spector (tracks: A1, B1)

Drums – Thomas Römer

Guitar – Dieter Kaudel

Munju - Moon You (1978)

Munju became fastly a group under the umbrella of the Schneeball label, a leader in the Kraut-Jazz field back in the 70's.For the second album of the group the original Munju quartet added some depth to its sound, recruiting Alex Gruenwald on keyboards along with Harry Buckl on congas.''Moon you'' was recorded at Sunrise Studios in Kirchberg, Switzerland and it was released in 1979.

Once more an album of Munju is characterized by its frenetic jazzy moments to go along with some funky lines and the pure power of Kraut Rock rhythmic tunes.The music is pretty solid with extended instrumental improvisations and furious solos on alto saxes by Benz and electric guitar by Kaudel, while the presence of Gruenwald makes the sound a bit richer with his tight and discreet organ plays.A few structured ideas are pretty great with impresive breaks and some decent melodies on sax, but the majority of this release is based on instrumental masturbations, which sound weirdly attractive.The EMBRYO influence is quite evident in the major part of the album, especially on the jazzy sax lines, however Munju's second offering sounds quite flexible at the very end, sliding from energetic Kraut Rock grooves to loose, jazzy soloing to powerful and solid Fusion.

File along the lines of EMBRYO, KRAAN, THIRSTY MOON and other Kraut/Jazz/Fusion acts of the 70's.Decent Kraut/Jazz Rock, that can be both pleasant and enigmatic.Recommended. apps79

Side A

A1 Wahrscheinlich Hört's Wieder Kein Schwein (6:19)

A2 Feel So Blue Without You (7:05)

A3 Ixthuluh (Lässig Und Leiwand) (6:50)

Side B

B1 Moon You I (1:33)

B2 Amerika 2000 (7:56)

B3 Vamos Ramos (10:11)

B4 Moon You II (1:13)

Musicians:

Alto Saxophone, Flute, Percussion – Jürgen Benz

Congas – Harry Buckl

Drums, Timbales, Percussion [Wehrli-bells] – Thomas Römer

Electric Bass [E-bass] – Wolfgang Salomon

Electric Guitar [E-git], Acoustic Guitar [Ac-git] – Dieter Kaudel

Keyboards – Alex Grünwald

Munju - Brot + Spiele (1980)

Jürgen Benz left Munju after ''Moon you'' and Johannes Pappert joined the band for a very short time, before permanently replaced by American saxophonist Fred Lamberson, who appears on their third album ''Brot + spiele''.Band hasn't moved an inch from their beloved, versatile and creative high-gear Kraut Fusion sound, showered by laid-back breaks with elegant flute and the power of acoustic guitar/oud combined with a rock rhythm section.Many schizophenic instrumental parts with Ethnic and jazzy deliveries, the spirit of Kraan seems to have captured the souls of Munju, while a new, upcoming aura breezes via the more sterile production and the accesible vocal parts.Instrumentally though they remain faithful in their dense and jazzy matrix with sax and guitar solos, also some nice and smooth interplays. apps79

Side A

A1 Kantstrasse (6:26)

A2 Computer (5:40)

A3 Revue Im Niemandsland (6:35)

A4 Armadillo (2:29)

Side B

B1 Fliegen (6:20)

B2 Cosmische Müllabfuhr (6:12)

B3 Manchmal Dauert Es So Lang (5:26)

B4 Suchtgift Suchhund (5:22)

Band

Drums, Vocals, Triangle – Thomas Römer

Electric Bass, Clavinet [Hohner D6] – Wolfgang Salomon

Electric Guitar, Acoustic Guitar, Oud, Vocals – Dieter Kaudel

Tenor Saxophone, Flute – Fred Lamberson

Munju - Le Perfectionniste (1984)

Munju changed directions completely with this one. Only occasionally Jazz-Rock. To my ears it´s more a New Wave record..

Side A

A1 Hollywood (3:04)

Bassoon, Oboe – Michel Berckmans

Drums, Human Beatbox – Thomas Römer

Guitar [Paper Guitar] – Eduard Rüdel

Keyboards – Wolfgang Salomon

Vibraphone, Synthesizer, Guitar – Dieter Kaudel

A2 Long And Long (2:58)

Drums – Thomas Römer

Melodica – Wolfgang Salomon

Vibraphone – Dieter Kaudel

Vocals, Guitar, Bass, Whistle [Carlon-ringmodulated] – Eduard Rüdel

A3 Intetango (3:22)

Bassoon – Michel Berckmans

Guitar – Dieter Kaudel

Piano, Guitar – Eduard Rüdel

Piano, Synthesizer – Wolfgang Salomon

Trumpet – Thomas Römer

A4 Metropolitan Noise (2:35)

Melodica [Bass], Keyboards [Bass] – Wolfgang Salomon

Whistle – Thomas Römer

Whistle, Guitar, Melodica – Eduard Rüdel

A5 Beat On The Wet Sock (5:36)

Effects [Steamhammer, Snaissur] – Andreas Torkler

Electronics [Filters], Bass [Sub], Keyboards [Guitar] – Wolfgang Salomon

Guitar, Marimba – Dieter Kaudel

Percussion – Thomas Römer

Voice – Eduard Rüdel

Side B

B1 Qui Est Le Perfectionniste? (3:59)

Drums – Thomas Römer

Guitar, Vocals – Eduard Rüdel

Synthesizer [Bass], Guitar, Vibraphone – Dieter Kaudel

Vocals – Michel Berckmans

B2 Martha Ulrich Nordpol Jaguar U-Boot (4:26)

Bass, Guitar, Vibraphone [Carlin-ringmodulated], Keyboards, Vocals – Wolfgang Salomon

Guitar [T-driven], Guitar, Effects [Razor], Keyboards [Vocals] – Eduard Rüdel

Guitar, Vibraphone [Carlin-ringmodulated], Marimba, Keyboards – Dieter Kaudel

Tom Tom, Drums – Thomas Römer

B3 Stella (3:17)

Gong [Big, Lavamat], Voice, Effects [Metal Barrel] – Eduard Rüdel

Gong [Small] – Wolfgang Salomon

Vibraphone, Synthesizer [Random Guitar], Marimba, Effects [Burzlaff] – Dieter Kaudel

Wood Block, Drums, Trumpet, Timpani – Thomas Römer

B4 Spion (3:52)

Bass, Keyboards – Wolfgang Salomon

Bassoon – Michel Berkmans

Drums, Tom Tom [Modulated], Effects [Radio] – Thomas Römer

Guitar – Dieter Kaudel

Guitar [T-driven], Guitar – Eduard Rüdel

B5 Se - Live In Dortmund (0:27)

Voice – Munju

B6 Automatic Choral Top (1:30)

Drums, Tom Tom, Effects [Automatic Choral Top] – Thomas Römer

Guitar – Wolfgang Salomon

Unreleased Munju Songs

• Zeit - 4 track recording, mp3 converted from an audio cassette master. 
• Gib Rein - 4 track recording, mp3 converted from an audio cassette master.
• Echo Groove - 4 track recording, mp3 converted from an audio cassette master.
• Strasse - Munju composition written and (all instruments) played by Dieter. From Dietri's CD:" M'ocean".
• Gruenstreifen - Munju composition written and (all instruments) played by Dieter. From Dietri's CD:" M'ocean".
• Tango - 8 track recording, mp3 converted from a VHS video copy
• Captain Kirk, beam me on board - 8 track recording, mp3 converted from a VHS video copy
• 7 Elefanten - 8 track recording, mp3 converted from a VHS video copy

Other Munju Projects 

• Nacht (excerpt from the album "Nickel's Spuk" featuring singer/songwriter Nickel Pallat and Munju as studio band)
• Mogadishu (secret 45 punk production under the alias GSG 9, vocals by our Italien friends. Published by Materiali Sonori/Italy)

Faust (1986) MC chance records Missing!!

excerpt