Pocket Orchestra ‎– Knēbnagäuje (2005, CD, Usa)

Tracklist:
1. Imam Bialdi (6:25)
2. R. V. (7:02)
3. Regiments (14:55)
4. Letters (13:53)
5. Blueing (7:10)
6. White Organ Meats (7:03)
7. Grandma Coming Down The Hall With A Hatchet (5:33)
8. Bagon (16:48)

Musicians:
Bass – Tim Lyons
Cello – Bill Johnston
Clarinet, Saxophone, Vocals – Joe Halajan
Drums – Bob Stearman
Flute – Craig Fry (tracks: 1-7)
Guitar – Tim Parr
Keyboards – Craig Bork
Saxophone – Jack Chandler (tracks: 2-5, 2-6)
Tabla – Warren Ashford (tracks: 1-7)

Releases information
CD release of two unreleased demo tapes by MIO records.
The biggest surprise is the wonderful weired music which is difficult to describe. Imagine very talented and fun spirited musicians mix in their own way something that sounds like Henry Cow, Univers Zero, National Health, Matching Mole, Von Zamla, Soft Machine, musique concrete, a big portion of madness and unpredictability and in smaller doses Zappa, Gentle Giant. This complex madness with a method is in my eyes and ears an extravagant and beautiful planet everybody should discover in the widths of the avant-prog universe.

Formed in the late seventies in Phoenix, Arizona, this long-lost RIO band originally went under the name Knebnagäuje (and indeed released their first demo tape as such) and unfortunately never managed to garner much in the way of attention at the time. Little did the world know what they were missing; namely some of the most intense, creative, densely composed RIO ever made.They released two demo tapes, one near the start of their career (Knebnagäuje, 1979) and the other towards the end (Pocket Orchestra, 1984). This end, incidentally, was sadly brought about by the group’s lead guitarist and originator, Tim Parr, suffering an early death that same year. Had this not occurred, it is quite possible that Pocket Orchestra would have become much better-known and respected within the RIO community.Pocket Orchestra clearly played RIO for the love of RIO, and they used every trick in the book to maximum effect – complex time signatures and jerky rhythms, expanded instrumentation that included clarinet, saxophone and cello, playful humour, discordant harmonies coupled with surprisingly catchy melodies and hooks. Their sound was one that will hold instant appeal for any self-respecting RIO fan and will instantly repel just about everyone else. If I had to name names I suppose their closest stylistic cousins would be the SAMLA MAMMAS MANNA family tree (Pocket Orchestra’s hard-edged qualities make them more akin to the Zamla era albums than the earlier, lighter Samla ones, though). Other influences include HENRY COW and UNIVERS ZERO. All the usual suspects, really. However, I must stress, Pocket Orchestra has a sound utterly distinct from all these influences.The two tapes the band managed to record during their active years were compiled in 2005 onto one CD (with amazingly high sound quality too!) by MIO records, coupled with heartfelt liner notes from the band’s friend and fellow RIO musician Scott Brazieal of Cartoon. It serves as a fitting testament to the band’s exemplary skill, creativity and sheer gusto. (Progarchives.com)