Ein Jahr Garantie ‎– Hoch / Tief (1982, LP, Germany)

Side A
1. Dein Körper (2:48)
2. Volkslied (2:24)
3. Sehr Schön (2:24)
4. 1 + 1 = 2 (3:28)
5. Mittelmeer (4:19)
6. Dr. Kimble (2:35)
Side B
1. Hoch / Tief (5:21)
2. Les Saisons (1:25)
3. Arme Karin (2:13)
4. Neue 50 (1:06)
5. Äquator (3:42)
6. Wellaform (3:05)

The Plastic People Of The Universe ‎– Magor's Shem 40th Year Anniversary Tour PPU 1968-2008 (2008, CD, Czech Republic)

Tracklist:

1. Non Stop Opera

2. Foggy Night (Je Noc, Mlha Pada)

3. Come On (Pojd)

4. The Television Idyll (Televizni Idyika)

5. Mary, Wake Up (Marie, Vstavej)

6. Magor's Shem (Magoruv sem)

Ed Sanders & The Plastic People of the Universe - The garden is open (2005, CD, Czech Republic)

Tracklist:
01 Pepr Walk
02 An Ode of Sappho
03 Song for Miriam
04 For Allen
05 Dover Beach
06 How Sweet I Roamed from Field
07 Morning Morning
08 I Want to Know
09 The Garden Is Open
10 Magical Night

Musicians:
V.Brabenec - sax
J.Janíček - keyboards
J.Kabeš - violin
J.Kandl - drums
I.Turnova -bass
J.Carnation - guitar
I.Bierhanzl - double bass
Ed Sanders - vocals

Ed Sanders, the politically outspoken poet and founding member of The Fugs, made his return to the stage at the Prague Writers Festival of 2005. The performance also provided the first chance for Sanders to perform with The Plastic People of the Universe, the Czech band whose fight against the Czechoslovakian government received vocal support from The Fugs. This disc documents the performance, which sees Sanders returning to form with his signature blend of spoken word and poetry.

Tomografia Assiale Computerizzata ‎– Tomografia Assiale Computerizzata (1983, LP, Italy)

Lato A
A1 Un Umido Motivo (2:56)

A2 I Sette Piani Dell' Esperienza (3:02)

A3 Cerco Lavoro (2:44)

A4 Microprocessore (1:31)

A5 Citocromo (4:32)

A6 Onde Corte (6:14)

Lato B
B1 Autistico (2:46)

B2 Percussioni (4:15)

B3 Introdotta La Scrofa Nel Mattatoio (5:02)

B4 Quasi Pieno (3:13)

B5 El Motel Electrico (1:23)

B6 49° Parallelo (2:15)

Musicians

Bass, Percussion, Drum Machine, Backing Vocals, Tapes – Andrea Azzali

Synth, Tone Generator, Trumpet, Backing Vocals – Fabio Cortesi

Guitar, Synth, Keyboards, Violin, Balafon, Zurna, Percussion, Tapes – Simon Balestrazzi

Drums, Percussion – Giampaolo Terenziani

Vocals, Trombone – Giorgio Barbuti

Guest

Piano – Andrea Salvini

Alto Saxophone – Stefano Zanzucchi

Soprano Saxophone, Tenor Saxophone, Congas – Marco Gorreri

Tomografia Assiale Computerizzata began as a one-man-band hiding the multi-instrumentist and sound engineer Simon Balestrazzi, which would later join Kino Glaz, Kirlian Camera, Bron Y Aur.

His first LP under the name T.A.C. came out in 1983 (or maybe in 1982) and features a very peculiar, Nurse With Wound-ish sound interbreeding such diverse styles as no-wave, electronic experimentation, progressive rock, radical improvisation and post-punk.
The rattling, crunchy guitar sound isn't far from Fred Frith's distinctive style in his no-wave project Massacre, and the shattered jazzy orbits it follows are quite close too. The telluric funk-punk basslines contribute creating bony, deconstructed pieces with everchanging rhythms and meters. Then come the electronic incursions of polluted radio frequencies and background buzzes, which give the music an eerie, dismantled feeling.
The lyrics are often quasi-nonsensical, but reflect the aftermath of the strong political engagement of the Seventies. Repetition and obsessive rants are the key elements of Balestrazzi's neurotic vocal style.
T.A.C. sound is completed by occasional free saxophone bursts, atonal piano figures and sparse folkloric remindings. The final result is something between Henry Cow, This Heat, The Work, with a more sinister, industrial mood. (Il golpe e l'uva)

Los Deu Larvath ‎– Coneguda Causa Sia (1979, LP, France)

Side A
A1. Coneguda Causa Sia (3:02)
A2. L'Estrangèr (3:53)
A3. T'Arriviris Pas (4:06)
A4. Dias (6:16)
Side B
B1. Lo Navèth Monde (4:52)
B2. Las Annadas Blancas (6:04)
B3. Poèta Triste (3:28)
B4. Primas (3:16)

Musicians:
Flute, Metallophone, Vocals – A. Branà
Guitar, Vocals – D. Grosclaude
Guitar, Vocals, Tambourine – D. Fròssard
Organ, Synthesizer, Percussion – J.A. Goyheneix
Vocals, Harmonica, Flute, Tambourine – D. Lekuona

Great Los Deu Larvath third Lp, self-released.

Los Deu Larvath ‎– Istòria Au Còrn Deu Temps (1977, LP, France)

Side A
A1. Istòria Au Còrn Deu Temps 
 - Que Soi Hilh (4:10)
 - L'Aulhèr (2:30)
 - L'Òmi De Nueit (2:29)
 - Qu'Èra Lo Temps (4:55)
 - Causir (3:55)
 - Finau (1:22)
Side B
B1. Vià Horà (2:33)
B2. Tu (2:30)
B3. L'Escòla (3:23)
B4. Dab Tot L'Amor (3:18)    
B5. Lo Ton Hilh (2:30)

Musicians:
Bass – Crestian Lissarague
Music By, Lyrics By, Arranged By – Los Deu Larvath
Organ, Electric Piano – Denis Lucas

Sublime dreamy folk lp from the south of France, sung in Occitan, a local dialect, also with gentle acoustic guitar and flute and unexpected smooth synth patterns.

Franco Cerri, Enrico Intra ‎– Effetto Alfa (1982, LP, Italy)

Side One
A1 Summertime
A2 Caravan
A3 Feuilles Mortes

Side Two
A1 As Time Goes By
A2 Moritat
A3 Michelle
A4 Estaté

Musicians:
Music By, Orchestrated By – Enrico Intra, Franco Cerri

Strings Directed By – Enrico Intra

Bass – Stefano Cerri

Drums – Ellade Bandini, Gianni Cazzola

Electric Guitar – Ernesto Verardi, Franco Cerri

Keyboards – Enrico Intra, Oscar Rocchi

Oboe – Silvano Scanziani

Saxophone [Sax], Flute – Hugo Heredia

Strings – Orchestra Sinfonica Di Milano

Early 80's promotional only italian orchestral jazz LP for Alfa Romeo Cars Factory.

Jarka ‎– Morgue O Berenice (1972, LP, Spain)

SIDE A
A1. Superman Fallido (5:48)
A2. Moyenne Girl (4:16)
A3. Occidente (5:45)
SIDE B
B1. Morgue O Berenice (4:45)
B2. Esquizofrenia (5:45)
B3. Duet (3:50)
B4. Woody's Rag (2:04)

Musicians
Acoustic Guitar – Rafael García
Contrabass, Electric Bass – Alfonso De Lucas
Drums – Tom Furgal
Electric Guitar – Danny Somoza
Keyboards, Piano, Music Director – Jordi Sabatés
Alto Saxophone – Paul St. Maur Stocker (B2)
Banjo – Sedo García  (B4)
Mandolin [Electric] – Xavier Batllés (B4)

Originally released by Edigsa in 1972, the sophomore album by this great outfit led by Jordi Sabatés (Ocells del més enllà) took their jazz rock fussion sound one step further, diving deeper into the realms of seventies instrumental jazz. Recorded in the Gema and Odeon studios during spring 1972, featured a new Jarka line up: Sabatés himself on keys, Alfonso De Lucas on (bass) plus guitarist Daniel Somoza and drummer Tom Furgal, both from New York, where they had played with Chick Corea, Michael Gibbs a.o. Great electrified seventies jazz-rock sounds! Jordi Sabatés has been one of the most prolific artists from Catalunya and his solo carrier after Jarka has gained him a wide reputation amongst collectors and music lovers, mainly because of his 1975 LP Ocells del més enllà, but also to his other great albums of the era. The sound roots of what he became later are clearly heard in Jarka. Strictly limited to 500 copies. High quality gatefold sleeves reproducing the original artwork from 1972's first press on Edigsa.

Venetian Power ‎– The Arid Land (1971, LP, Italy)

LATO A
A1. Quando Dio Inventò Il Mondo
A2. April
A3. Dying Waters Of Life
A4. Arid Land
A5. Così Il Mondo Finisce
LATO B
B1. I Am Burning
B2. Il Sacrificio Dell'Acqua
B3. Invocazione, Morte E Resurrezione

Formazione:
Lyrics By, Music By, Vocals – Claudio Ambrosini
Bass – Roberto Giannelli
Cymbal, Vibraphone, Triangle – Frank Playwright
Drums, Gong, Timpani – Silvio Zanoni
Effects – Ermanno Velludo
Electric Guitar, Strings – Claes Cornelius
Flute – Paolo Zanella
Organ [Hammond], Celesta – Sergio De Nardi
Percussion – Giorgio Bassanese
Piano – Lamberto Lanfrè
Vocals – Daniela Ambrosini, Enrico Sopelsa, Eva Ferro, Gloria Ferro, Nello Marini, Rosanna Mavian

Recorded At – Milano Recording Studios

A 15-piece group from Venezia, that can be hardly described as a prog band, Venetian Power were in fact a theatre group formed by composer Claudio Ambrosini to represent his The arid land play in northern Italy.
A musical group was also created by Ambrosini with danish guitarist Claes Cornelius (a popular session musician at the time in Italy) and an LP was released with the soundtrack. Among the musicians the former keyboardist of Le Stelle di Mario Schifano, Nello Marini.

The idea for the album came to producer and engineer Ermanno Velludo with Claes Cornelius (from The Blues Right Off) that was just coming back to Italy after a year in the USA, and they decided to help Claudio Ambrosini in his musical adaptation of T.S.Eliot's The waste land, recording it in Velludo's own small studio.
Having been denied an authorization to go ahead by Eliot's publishers Faber & Faber in London, Ambrosini had to change a part of the script that was renamed The arid land.
With a group of Venetian musicians and singers, the first version of the soundtrack was very primitive but thanks to Ermanno's wizardry it sounded as if recorded in a major studio. The recording was indeed a soundtrack for a first rendition of the musical, that was multi-level, multi-action and a 360 degree theatrical event (later to be replicated at the Contemporary Music Biennale in Venice in a much bigger setting.

CBS records in Milano were interested in releasing the soundtrack and the whole thing was re-recorded at Milano Recording, CBS's own studio. The cover was made with a painting by the surrealistic sci-fi artist Mario de Luigi, who had long specialized in depicting Venetian vistas in a future state of decay, this seemed the most appropriate cover artwork in the essence of the subject matter of the musical.

This is by no means a prog album, and its soundtrack origins are evident from the large vocal parts (on the human kind evolution, with no less than seven singers!) and mainly acoustic musical background.
Lyrics are half Italian and half English, and the result can be a bit boring (in the Jesus Christ Superstar style) for a prog fan's ears.

In the wake of the release of the album there were also some interest by the TV, where Venetian Power appeared as a group, but they were never anyway intended to be a regular touring outfit and The Arid Land was not followed by further releases under that name.

Guitarist Cornelius returned back to Denmark in 1974, working since then in the music biz. (italianprog)

Head – Red Dwarf (1975, LP, Scotland)

Side A
A1. Quasar (7:39)
A2. Solaris Dream (3:45)
A3. White Giant (5:13)
A4. Event Horizon (2:28)
Side B
B1. Red Dwarf (8:26)
B2. Earthsong Suite (11:11)
B3. Su Salvavida Esta Debaso De Su Asienton (1:48)

Musicians
Alto Saxophone – Bob Watson (tracks: B2, B3)
Bass Trombone – John Fishwick (tracks: B2, B3)
Double Bass, Bass Guitar, Composed By – Graham Mince
Guitar – Chris Sutton (tracks: B3), Lachlan MacColl
Piano – Dave Saul (tracks: A1)
Drums – Bill Kyle
Tenor Saxophone, Soprano Saxophone, Flute – Gordon Cruikshank
Trombone – Brian Free (tracks: B2, B3)
Trumpet – Don Bateman (tracks: B2, B3)
Trumpet, Electric Piano – John Davies

An excellent jazzy fusion rarity. Head can be considered a kind Scottish Nucleus. This is their second album. The previous album GTF I once had and noted it as too jazz. The third album I more recently got and found that to be a touch too funky. With this one they got the balance just right, with lots of nice grooves, spacey bits and with the winds well-placed and not over-dominating the music. (ultimathulerecords)

Head – Blackpool Cool (1977, LP, Scotland)

Side A
A1. I met a man (6:52)
A2. G.B.H. (8:29)
A3. There's a lot of it around (6:21)
Side B
B1. Blackpool cool (6:11)
B2. Pauline (3:57)
B3. Kick me quick (8:47)

Musicians
Gordon Cruickshank/ Tenor Saxophone, Alto Saxophone, Soprano Saxophone
John Davies/ Trumpet, Flugelhorn, Electric Piano
Lachlan McColl/ Guitar
Graham Mince/ Bass Guitar, Double Bass
John Davies/ Trumpet, Flugelhorn, Electric Piano
Billy Kyle/ Drums

Sometimes known as "the haggis of jazz fusion bands," the small combo Head were active in Glasgow in the '70s. The rhythm section of drummer Billy Kyle and bassist Graham Mince were consistent factors in the three albums released by the group over a five-year period, as was the presence of multi-instrumentalist John Davies, who doubled on keyboards and trumpet. Other members of the group changed from album to album, guitarist Charles Alexander drifting away to be replaced by Lachlan McColl, saxophonist Gordon Cruickshank taking up where previous honker Howard Copland had left off.

Self-determination, an important concept in documenting improvised music during the '70s, was vital to the Head liturgy. The group's debut release -- entitled GTF in reference to a crude Scottish way of suggesting someone should depart quickly -- was released through SRT, basically a vanity consortium. The band started up its own label, Head Records, for its final and most commercial production, Blackpool Cool. This Head should not be confused with other bands that use this name, such as a more recent outfit fronted by Gareth Sager. (Eugene Chadbourne)

The Plastic People Of The Universe & Agon Orchestra ‎– Obešel Já Polí Pět - Koncert Na Počest Ladislava Klímy (2003, CD, Czech Republic)

Tracklist:

1. Dechovka I.
2. Slavná Nemesis
3. Eterna/K Denici mluví Dryáda
4. Jak bude po smrti
5. Jsem Absolutní Vůle
6. Dechovka II.
BONUS - nahrávka z roku 1980:
7. Obesel já polí pět
8. Slavná Nemesis
9. Jsem Absolutní Vůle

Milan Hlavsa ‎– Než Je Dnes Člověku 50 - Poslední Dekáda (2001, 2xCD, Czech Republic)

The Plastic People Of The Universe ‎– Líně S Tebou Spím = Lazy Love (2001, D, Czech Republic)

Tracklist:
1. II. podzim / The Second Autumn
2. Bylo to nedávno / Recently
3. Ach líně, líně... / Oh Lazy, Lazy...
4. Teď uz vím / Now I Know
5. V konečcích prstů / Tips Of Fingers
6. Konec léta / Summer's End
7. Sen o hadech / Snake Dream
8. Pan K. / Dear Mr. K.
9. Spáč / The Sleeper
10. Moc jsem si neuzil / It Wasn't Such A Blast

PPU:
Vratislav Brabenec / bass-clarinet [1], alto saxophone [2, 4, 7, 9, 10], vocals [3, 6, 8], clarinet [8]
Josef Janíček / keyboard [1-10], vocals [2, 3, 4, 9]
Jiří Kabes / viola [1-10], vocals [7]
Ludvík Kandl / drums [1-7, 9-10], vocals [1]
Joe Karafiát / guitar [1-2, 4-10], bass [3]
Eva Turnová / vocals [1, 3, 5, 6], bass [2, 4, 7, 9, 10]
Ivan Bierhanzl / contrabass [1, 5, 6, 8, 10]
Milan Hlavsa / vocals [10]

Vía Láctea ‎– Vía Láctea (1982, LP, Mexico)

Side A
A1. La Estructura Del Universo (6:59)
A2. El Jardin De La Presencia Divina (8:26)
A3. Via Lumiere (3:52)
Side B
B1. El Hombre En La Eternidad (4:38)
B2. Meditacion Post Atomica (6:30)
B3. La Alondra Y La Virgen (8:19)

Musicians:
Synthesizer, Vocoder, Piano, Flute, Tape – Carlos Alvarado
Flute, Tambora, Kalimba – Jorge Reyes
Synthesizer – Herminia S. Alvarado
Guitar – Arturo Meza

Composed, Arranged, Producer, Directed By Carlos Alvarado

Note
Recorded at Estudios "Crystal", 14-21 March 1980.

Vía Láctea started in the 1970's as a "cosmic music" outfit. It was led by two musicians Carlos Alvarado and Miguel Angel Nava. The music featured classic spacey synthesizer excursions ala Tangerine Dream and Klaus Schulze but more quiet, restained and Ambient-like, with sometimes Ethnic / Prehispanic influences creeping in. After the first album Miguel Angel Nava left the band, leaving synthesist Alvarado as the sole member. He continued to release albums, sometimes helped by fellow experimentalists Jorge Reyes, Arturo Meza and others.

Rick Wakeman ‎– G'Olé! (1983, LP, England)

SIDE A
A1. International Flag (2:12)
A2. The Dove (Opening Ceremony) (2:36)
A3. Wayward Spirit (3:20)
A4. Latin Reel (Theme From G'Olé) (2:44)
A5. Red Island (5:04)
A6. Spanish Holiday (2:43)
SIDE B
B1. No Possibla (2:54)
B2. Shadows (3:38)
B3. Black Pearls (2:52)
B4. Frustration (3:10)
B5. Spanish Montage (2:46)
B6. G'Olé (2:54)

Musicians
Acoustic Guitar – Jackie McAuley, Mitch Dalton
Drums – Tony Fernandez
Producer, Keyboards, Written-By, Arranged By, Composed By – Rick Wakeman

Soundtrack for the documentary of the 1982 FIFA World Cup held in Spain, directed by Tom Clegg.

Trol – Trol (1977, LP, Belgium)

SIDE A
A1. Gekwezel (2:46)

A2. Zwarte Steen (3:51)

A3. Klappeie / Meidendans (3:04)

A4. Restitutie (3:50)

A5. Island (2:35)

A6. Troblokfloeten (1:22)
SIDE B

B1. Hei, 't was in de mei (5:36)

B2. Keer van je berg (3:20)

B3. Molenaar (0:50)

B4. Boerenknecht (3:12)

B5. Lierse vlaaikes / Kippecharge (3:00)

Musicians
Jan Cool - cister, guitar, mandolin, vocals, flute
Mark Dickens - guitar, vocals
Mark Vanden Bremt - bass, vocals
Geert Waegeman - synthesizers
Johan Waegeman - vocals, harmonica, accordeon

Lapera ‎– L'Acqua Purificatrice (1975, LP, Italy)

LATO A
A1. Il mattino del giorno dopo (3:58)
A2. L'acqua purificatrice 1° parte (3:41)
A3. Commento (1:19)
A4. L'acqua purificatrice 2° parte (3:00)
A5. Presentimento (2:39)
A6. Transizione (4:24)
A7. La bottega dei desideri (4:02)
LATO B

B1. Supplica alla vita dell'uomo (2:42)
B2. Catarsi (2:44)
B3. Tentativo d'evasione (1:41)
B4. Crepuscolo (Tace) (3:39)
B5. Il mattino del giorno dopo (Il risveglio del cieco Tobia) (2:40)
B6. Omaggio al sole (3:59)
B7. Gran finale (0:24)

Formazione

Gianni Tirelli / vocals and instruments
Alberto Tirelli / vocals and instruments
Pinuccio Pirrazoli / orchestral arrangements

As the influential JJ Martin writes on his blog classikrock.blogspot.it: At first music almost seems like a curious mix between I Giganti and Delirium: from the first have been cloned the recitatives and from the second their typical sound from “Lo scemo e il villaggio” to “Delirium III”. From a certain point, however, we also have a massive orchestral presence, halfway between the most symphonic Lucio Battisti and New Trolls’ “Concerto Grosso No. 1”. All of this is then topped off with 4+4 Nora Orlandi’s choirs, or those used in Ivano Fossati’s first LP.

The description is very precise and appropriate, with all references put in the right place. But I would like to add one little thing. In my opinion, joining in a totally bold and original way all the features mentioned above, Tirelli brothers have managed to create a very special album in the history of Italian progressive rock. To masterfully juxtapose different musical inspiration is one big thing, but instilling everything in this context one’s own strong temperament, thanks to beautiful musical compositions, is a completely different story. “L’Acqua Purificatrice” is in fact a record cloaked in beautiful music, with strong melodies, angry, humorous and poignant vocals, highly symphonic sections combined with other ones highly rhythmic and engaging, creating an intriguing blend of funky and prog.

Heard today, Tirellis’ LP is a total immersion in a pleasant ‘70s atmosphere, that doesn’t sound dated at all. Indeed, it is precisely this mood, amplified by certain sounds and the science fiction / social content of the lyrics, to make this record one of its kind. Often unknown to most people, it deserves to be rediscovered: the only release by Lapera still retains today its charm, and remains one of my favorite releases from the Italian musical panorama of the Seventies. (Fabio Zuffanti)

Kenso ‎– Complete Box (2012, 14xCD Box-Set, Japan)

CD 01 - 1980 - Kenso

Kenso

CD1-1 Nihon No Mugi-Uta

CD1-2 Inei No Fue

CD1-3 Furiorosareta Yaiba

CD1-4 Umi

CD1-5 Kagome

CD1-6 Buchan No Chugaeri

CD 02 - 1982 - Kenso II

Kenso II

CD2-1 Sora Ni Hikaru

CD2-2 Anesthesia Part 1

CD2-3 Anesthesia Part 2

CD2-4 Hyoto

CD2-5 Brand Shikou

CD2-6 Harukanaru Chi E

CD2-7 Naibu E No Tsukikage

CD2-8 Sayonara Progre

CD 03 - 1985 - Kenso III

CD3-1 Sacred Dream I

CD3-2 Power Of The Glory

CD3-3 The Breeze Whispered Through My Mind

CD3-4 Far East Celebration

CD3-5 La Liberte De L'esprit (The Liberty Of Spirit)

CD3-6 Patter Of The Groovy

CD3-7 Turn To Solution

CD3-8 Nostalghia

CD3-9 Sacred Dream II

CD3-10 Beginnings

CD 04 - 1989 - Sparta

CD4-1 Good Days, Bad Days

CD4-2 Bifuka

CD4-3 The Stone Of Golden Hair Village

CD4-4 Miskatonic

CD4-5 Pm

CD4-6 Gesshya Senkoh

CD4-7 The Shadow Over Innsmouth

CD4-8 Neuro-Psychoma

CD 05 - 1991 - Yume no Oka

CD5-1 Les Phases De La Lune I

CD5-2 The Signification Of Time

CD5-3 From The Mystic Woods

CD5-4 Oia

CD5-5 The Ancient In My Brain

CD5-6 Fuan Na Kioku

CD5-7 Mediterranean And Aryan

CD5-8 Today I Left Oia

CD5-9 The Fourth Reich

CD5-10 Alfama

CD5-11 Les Phases De La Lune II

CD 06 - 1999 - Esoptron

CD6-1a 泣き笑い Nakiwarai (Laughing And Crying)

CD6-1b 少年の気球 Shonen No Kikyu (Baloon Boy)

CD6-1c 祝祭 Syukusai (Festivals)

CD6-2 願いかなえるこどもをつれてゆこう Negaikanaeru Kodomo Wo Tsureteyukou (Grant In Proportion To The Children's Wish)

CD6-3 湖畔にて Kohan Nite (At The Lake)

CD6-4 在野からの帰還 Zaiya Kara No Kikan (Feedback From The Opposition)

CD6-5 知識を超えて Chishiki Wo Koete (Is Beyond The Knowledge)

CD6-6 Gips

CD6-7 The Egg Of Joe

CD6-8 クロノス・ウーラノス・エソプトロン Chronos Ouranos Esoptron

CD6-9 躁の悲哀 Sou No Hiai (Sorrows Of Mania)

CD6-10 Release Yourself

CD6-11 気楽にいこうぜ Kiraku Ni Ikouze (Let Us Crew To Be Easy)

CD 07 - 2002 - Fabulis Mirabilibus de Bombycosi Scriptis

CD7-1 精武門 Sei Bu Mon (Fist Of Fury)

CD7-2 禁油断者マドリガル Kinyudansha Madrigal (The Cunning Madrigal)

CD7-3 韜晦序曲 Tōkai Jokyoku (Prelude To Concealment)

CD7-4 木馬哀感 Mokuba Aikan (Wooden Horse Pathos)

CD7-5 Tjandi Bentar (The Split Gate)

CD7-6 謀反 Muhon (Rebellion)

CD7-7 夢想用階段 Musōyō Kaidan (The Stairs For Dreaming)

CD7-8 Echi Dal Foro Romano (Echoes From Foro Romano)

CD7-9 隠遁者の娘 Itonsha No Musume (The Daughter Of A Recluse)

CD7-10 太郎という生き方 Tarō To Iu Ikikata (A Way Of Living As Tarō)

CD7-11 夜のドッペルゲンガー Yoru No Doppelgänger (Doppelgänger In The Night)

CD7-12 Isolated Jiro

CD7-13 和解 Wakai (The Understanding)

CD7-14 陰鬱な日記 In-utsu Na Nikki (A Grim Diary)

CD7-15 自他溶融 Jita Yōyū (Amalgamation Of Self And Others)

CD 08 - 2006 - Utsuroi Yuku Mono

CD8-1 痛ましき晦冥

CD8-2 あの頃モビーディックと

CD8-3 そこはまあそこはかとなく

CD8-4 Rhyme-stone In Cotswolds

CD8-5 ウブド寝入りばな幻聴

CD8-6 シヅカへの扉

CD8-7 木霊の舞う情景

CD8-8 A Single Moment Of Life

CD8-9 Gos

CD8-10 わくわくリーバレー

CD8-11 蠱惑島に歌は

CD8-12 三つ縄6/8

CD8-13 風の中の菲林

CD8-14 暁に楽師が

CD8-15 コドン1

CD8-16 コドン3

CD8-17 コドン2

CD 09/10 - 1986 - Music for Unknown Five Musicians

Music For Unknown Five Musicians

CD9-1 Prelude In Sofia

CD9-2 Brand IX

CD9-3 Liberty Of Spirit

CD9-4 Sacred Dream

CD9-5 Arrivederci

Music For Unknown Five Musicians

CD10-1 UMI

CD10-2 Hyoto

CD10-3 P.M. (Dedicated To Pat Metheny)

CD10-4 Beginnings

CD10-5 Anesthesia Part II

CD10-6 Sori Ni Hikaru

CD 11 - 1993 - Kenso Live 92

CD11-1 Fourth Reich

CD11-2 Tsuki No Iso

CD11-3 Miskatonic

CD11-4 Santorini

CD11-5 Oia

CD11-6 Power Of The Glory

CD11-7 Nazomeita Mori Yori

CD11-8 Chichukai To Arijin

CD11-9 Hyoto

CD11-10 Good Days Bad Days

CD11-11 Innsmouth No Kage

CD 12 - 1996 - Zaiya Live

CD12-1 Gips

CD12-2 Sora Ni Hikaru

CD12-3 Hyoto

CD12-4 Les Phases De La Lune I

CD12-5 Bifuka

CD12-6 From The Mystic Woods

CD12-7 Today I Left Oia

CD12-8 Es

CD12-9 The Ancient In My Brain (Long Version)

CD12-10 Mediterranean & Ayran

CD12-11 Good Days Bad Days

CD12-12 The Shadow Over Innsmouth

CD12-13 Zaiya Kara No Kikan

CD 13 - Unreleased & Rare Material

CD13-1 インスマウスの影 (ハルキチドラムバージョン)

CD13-2 ミスカトニック (ハルキチ・ドラムバージョン)

CD13-3 個人的希求 (トリオ・バージョン)

CD13-4 Release Yourself (トリオバージョン)

CD13-5 在野からの帰還 (トリオバージョン)

CD13-6 シヅカへの扉 (デュオ・バージョン)

CD13-7 ターン・トゥ・ソリューション (Live'85)

CD13-8 月の位相一Ⅱ (Live'92)

CD13-9 アルファマ (Live'92)

CD13-10 MC(Live'92)

CD13-11 A Single Moment Of Life (ベース・ソロバージョン)

CD13-12 コドン1 (ベーシック・トラック)

CD13-13 コドン2 (ベーシック・トラック)

CD13-14 コドン3 (ベーシック・トラック)